We Have a Pope

In the quiet corridors of the Vatican, an ancient ritual unfolds after the death of a pontiff: the conclave gathers to choose a successor, shrouded in solemnity and the weight of centuries‑old tradition. The atmosphere is a blend of reverent ceremony and palpable uncertainty, as the cardinals wrestle with the gravity of their secret ballot while the world watches the smoke that signals each round’s outcome. The setting feels both timeless and oddly contemporary, a closed world where every whispered decision reverberates beyond stone walls.

Amid the ritual, Cardinal Melville—a respected yet unassuming prelate—finds his name thrust into the spotlight, an outcome no one anticipated. Suddenly crowned as the new pope, he confronts an overwhelming sense of inadequacy and a deep, personal crisis that clashes with the monumental responsibilities of the papacy. His internal turmoil is juxtaposed against the grand expectations of a faithful global audience, creating a tension that is as much psychological as it is spiritual.

To navigate this unprecedented turmoil, the College of Cardinals summons Professor Brezzi, a psychoanalyst whose reputation for unconventional methods precedes him. The therapist’s presence introduces a subtle, almost absurd counterpoint to the solemnity of the Vatican’s hierarchy, highlighting a clash between rigid doctrine and the messy reality of human emotion. Their uneasy collaboration suggests a delicate dance between faith and reason, where the sacred space becomes a backdrop for an introspective exploration of identity and purpose.

The film balances reverence with a wry, observant tone, inviting viewers to contemplate the fragile intersection of duty, belief, and personal doubt. As the new pontiff grapples with his inner conflict, the story asks how a man can reconcile the immense weight of an ancient office with the simple, universal yearning for inner peace.

Last Updated: August 10, 2025 at 07:17