Veronica

In the early summer of 1991, a quiet Madrid neighborhood becomes the backdrop for an unsettling convergence of ordinary life and ancient superstition. A rare solar eclipse draws the attention of a local school, where myths about darkness and sacrifice linger in whispered folklore. The atmosphere is charged with a faint electric tension, hinting that something beyond the everyday may be on the verge of breaking through.

Verónica, a 15‑year‑old shouldering the responsibilities of a single‑parent household, finds herself caught between the demands of caretaking and the yearning for a teenage existence of its own. She looks after the twin sisters Lucía and Irene and their younger brother Antoñito, while also navigating friendships with classmates Rosa and Diana. The weight of adulthood presses on her shoulders, shaping a quiet determination that fuels the film’s intimate, character‑driven core.

When school lessons mention the eclipse’s historic link to dark rituals, curiosity sparks a daring experiment. Together with her friends, Verónica arranges a spontaneous séance, employing a Ouija board in the dim basement of the school. What begins as a seemingly harmless attempt to reach the unknown quickly takes on a colder, more ominous tone, as the convergence of blood, eclipse light, and whispered words hints at a presence that refuses to stay hidden.

The film unfolds as a slow‑burning horror, where everyday spaces acquire an unsettling edge and the line between reality and nightmare blurs. As an unseen force begins to infiltrate the lives of Verónica and those she loves, she is forced to confront a terror that tests the limits of her resolve. The story weaves a tense atmosphere of dread and resilience, inviting the audience to wonder what will happen when a young girl’s desperate search for connection opens a door that should have remained shut.

Last Updated: October 05, 2025 at 16:52