Year: 2008
Runtime: 90 mins
Language: Cantonese
Director: Herman Yau
The narrative follows two women living on the fringes of Hong Kong society, each battling daily survival while haunted by painful memories from their pasts. The literal translation of the Chinese title, “I do not sell my body, I sell my uterus,” highlights the stark, personal exploitation they face.
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Read the complete plot breakdown of True Women for Sale (2008), including all key story events, major twists, and the ending explained in detail. Discover what really happened—and what it all means.
Two women struggle to survive in the grassroots of Hong Kong, haunted by past choices, as their parallel lives unfold in a crowded Sham Shui Po apartment building around 2000. The film layers grit, vulnerability, and quiet defiance in a city where destiny can feel negotiable and survival often comes at a price.
Lai Chung-Chung [Prudence Liew Mei-Kwan] is a crack cocaine-addicted yet good-natured street walker who is fast approaching a “destiny call” foretold by a fortune teller, who claims that in the year 2000 she will repent her sins and turn over a new leaf. To prepare for what she believes may be a life-changing moment, she saves every penny to fund a dental treatment that will finally repair years of damage to her teeth and gums. Her moment of courage arrives when she heroically saves a child from being struck by a van, an act that draws the attention of freelance photographer Chi [Sammy Leung] who thinks Lai could become a compelling human-interest story for a magazine. Chi begins to photograph her, while Lai’s interview is conducted by Elaine, a journalist who helps reveal Lai’s troubled past, including difficult experiences with her mother and younger sister. The film makes Lai’s humanity clear: she fights to improve herself even as the world around her remains unforgiving and unforgivingly ordinary. Her resilience radiates through every small act of care she extends to others, even as crack influence lingers in the corners of her life.
The other subject is Wong Lin-Fa [Race Wong], a woman from Mainland China who marries Kin, a middle-aged construction worker in Hong Kong, hoping to secure residency and a steadier future. When Kin dies in a work accident, Wong travels to Hong Kong pregnant with Kin’s child, intending to claim condolence money from his family. Instead, she is met with scorn and a mere HK$5,000, and is ultimately asked to leave the family home, labeled a golddigger. She moves into a crowded building where many prostitutes live, including Lai. Insurance broker Lau Fu-Yi [Anthony Wong] becomes the one who notices Wong’s potential not as a lover or a friend, but as a financial asset. He informs Wong that Kin had taken out life insurance naming her as the sole beneficiary, a fact that gives her a route to a life she’s been chasing: birth, stability, and residency. As their unlikely friendship develops, Lau tries to help her with her goal of giving birth and securing residency, all while attempting to sell her an insurance plan. He has a knack for sizing up people based on a calculating metric, quickly rating Lai and Chi as having little to no potential for insurance, while valuing Wong at a staggering US$2 million. Through Lau’s calculating lens, the film probes how value, choice, and dignity are constantly weighed against money and social advantage.
Although Lai and Wong inhabit the same apartment building and cross paths in small, meaningful ways, their stories rarely collide, emphasizing two distinct routes through which women in this neighborhood navigate hope and hardship. The narrative’s rhythm mirrors life in Sham Shui Po—tight, communal, and unsentimental—where the push-and-pull of ambition, affection, and fear drives each woman forward in her own steady, uncertain arc. The film uses their parallel journeys to ask pointed questions about status, belonging, and the costs of survival in a city that can both shelter and exploit.
As the lives of Lai and Wong unfold, the audience is invited to observe how characters move within a world that blends vulnerability with agency. Lai’s quiet insistence on dignity—whether through self-improvement, protecting others, or seeking small mercies like dental care—contrasts with Wong’s pragmatic, sometimes transactional search for security and legitimacy in a place where residency can feel like a lifeline. Lau Fu-Yi’s presence adds another layer: a man who wants to help, yet measures people in terms of insurance value, revealing how even kindness can be tinted by economic calculation. In this once-overlooked corner of Kowloon, the film captures the humanity that persists when futures seem uncertain and every decision carries weight.
Last Updated: October 07, 2025 at 08:32
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