tick, tick...Boom!

In 1992, Jonathan Larson presents his rock monologue *Tick, Tick... Boom!* at the New York Theatre Workshop. Supported by his friends Roger and Karessa, he shares his internal struggles while reflecting on the ticking clock of his life.

In the early 1990s, Jonathan works at the Moondance Diner in SoHo while preparing for a workshop of his long-time musical, *Superbia*. Despite the pressures of his job, he dedicates most of his time to crafting this musical, a project he has nurtured for the last eight years.

With his 30th birthday approaching in just over a week, Jonathan feels immense pressure to succeed. He believes the upcoming workshop is his final shot at getting recognized in the competitive theater world.

During a birthday gathering, Jonathan reveals his plans for the workshop to friends including Michael, Susan, and fellow waiters. This moment is laden with hope as it marks the first opportunity for others to see his work in action.

Susan, a dancer, discusses her new teaching position at Jacob's Pillow with Jonathan, encouraging him to consider his own opportunities. Her need to shift her career plans due to an injury brings to light the challenges they both face in the arts.

Michael, now working in advertising, advises Jonathan to explore financial security through composing ad jingles. This conversation highlights the contrasting paths they have taken in pursuit of their dreams.

Under the pressure from his producer Ira, Jonathan must create a new song for *Superbia*. His creative process is hindered by memories of direction given by his idol Stephen Sondheim, intensifying his self-doubt.

Jonathan learns that his friend Freddy has been hospitalized due to HIV complications, prompting him to step in and work at the diner. The stress of Freddy's situation adds to Jonathan's emotional turmoil.

As Jonathan focuses on his artistic ambitions, his relationship with Susan becomes increasingly strained. Frustrated by her feeling neglected, Susan decides to end their relationship, amplifying Jonathan's feelings of isolation.

When Jonathan attends an advertising focus group, he intentionally sabotages his chance for a stable job. This decision causes tension with Michael, who wishes for Jonathan to choose a secure life.

After a motivating call from his agent Rosa, Jonathan attempts to finish a new song the night before the workshop. A blackout leads him to a swimming pool, where he finds the inspiration he desperately needs.

The day of the workshop arrives, drawing friends, family, and industry professionals, including Stephen Sondheim. While Jonathan receives applause, he faces disappointment with no immediate offers to produce *Superbia*.

After the workshop, Jonathan seeks support from Michael, who encourages him to persist in musical theater. Michael also shares his own struggles, revealing his HIV-positive status and adding depth to their friendship.

Jonathan wanders through New York City, reflecting on the choices he has made and their impact on his life. He realizes that in pursuing his career, he has alienated those he cares for, including Susan and Michael.

On the morning of his 30th birthday, Jonathan receives an uplifting call from Sondheim that reignites his hopes. Although Susan gifts him music for his dreams and parts ways, her narration highlights Jonathan's legacy with his next project becoming the iconic *Rent*.