Year: 1950
Runtime: 88 mins
Language: English
Director: Anthony Asquith
Agnes “Astra” Huston, a fortune‑teller working the low‑budget midway, is discovered strangled in her modest bedroom. As detectives interview five different suspects, the film presents each person’s memories of their encounters with Astra, unfolding the case through overlapping flashbacks that gradually reveal motives and hidden connections.
Get a spoiler-free look at The Woman in Question (1950) with a clear plot overview that covers the setting, main characters, and story premise—without revealing key twists or the ending. Perfect for deciding if this film is your next watch.
In the dim glow of a low‑budget midway, a modest fortune‑teller named Agnes “Astra” Huston makes her living offering whispered glimpses of fate to the passersby who pause at her cluttered table. Her quiet existence is intertwined with a close‑knit neighborhood of neighbors, family, and occasional strangers, each of whom carries their own story of the gentle woman who tends to a pet bird and a small, weather‑worn flat. The community feels both the comfort of her daily rituals and the undercurrent of old grievances, creating a world where ordinary moments linger just a little longer than they should.
When Superintendent Lodge and Inspector Butler arrive to investigate the sudden loss of Agnes, the film unfolds through a series of interviews that become windows into the kaleidoscope of memories surrounding her. Mrs. Finch, the elderly neighbour, remembers a kind‑hearted lady who was ever‑ready to help. In contrast, Catherine Taylor, her estranged sister, sees a more abrasive, conflicted side, while Bob Baker, a charismatic magician, recalls a flirtatious encounter that left both amused and uneasy. Albert Pollard, the timid pet‑shop owner, speaks of a sweetness that once prompted him to propose marriage, and Michael Murray, a weather‑beaten sailor and former lover, reflects on a love that resurfaced after long voyages. Each recollection is rendered in overlapping flashbacks, suggesting that the truth may be as fragmented as the lenses through which it is viewed.
The story is told in a moody, almost lyrical style, where the camera drifts between present questioning rooms and past moments that flicker like half‑remembered dreams. The tone balances gentle melancholy with a quiet tension, inviting the audience to question how memory and perception shape the narrative. As the detectives navigate the tangled web of personalities, the film remains an atmospheric puzzle—more about the people who orbit Agnes than about any single revelation, leaving viewers to wonder which version of her will ultimately dominate the story.
Last Updated: August 20, 2025 at 17:50
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