The Woman in Green

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Set in West Africa, in the year 1823, the story begins by highlighting the young reign of Ghezo, the king of Dahomey. His kingdom faces relentless threats from the Oyo Empire, which has allied with the Mahi people to raid Dahomey villages and sell the captured villagers into slavery through European traders. The Oyo warriors have a significant advantage because they possess guns and horses, making their raids swift and deadly, but the fiercely trained female warriors of Dahomey, known as the Agojie, stand as their kingdom’s formidable defense. Led by Nanisca, a seasoned general with a powerful reputation, the Agojie work tirelessly to protect Dahomey’s people and sovereignty.

The film illustrates their bravery through a daring infiltration into a Mahi village, where the Agojie successfully eliminate the occupying soldiers and rescue kidnapped villagers. In the aftermath, they mourn fallen comrades and escort the liberated captives back to their homes, demonstrating both their fierce combat skills and profound sense of duty. However, the threat of ongoing attacks looms large, prompting King Ghezo, who trusts Nanisca implicitly, to consider strengthening his defenses and negotiating with the threatening Oyo.

Meanwhile, a young and rebellious woman named Nawi is introduced as someone eager to break free from her oppressive circumstances. She is brought before a man intended to marry her, despite his rough and controlling demeanor. When she refuses to respond to his advances, he slaps her in anger, only for Nawi to push him back with enough force to make him fall. Her refusal results in him rejecting the marriage proposal altogether. Her father then takes her to the Agojie, offering her as a potential warrior. She is taken under the wing of Izogie, a proud Agojie warrior who becomes her mentor.

The story further develops through intense training sessions, where Nawi’s determination is tested. The Agojie undergo rigorous combat training, beginning with rope exercises and progressing to swordplay and rifle practice. Despite initial setbacks—particularly with her inexperience and strength—Nawi shows resilience, especially after a lighthearted prank involving a small explosive. Her attempts to learn are complemented by personal stories from Izogie, who shares insights about Nanisca’s legendary rise to her position after surviving captivity and slavery. Nanisca herself is a complex character haunted by her past, and her leadership is driven by a desire to protect her people and confront the brutal realities of the slave trade.

Conflict intensifies with the arrival of the Oyo forces, led by Oba Ade—a cruel and arrogant figure who previously raped Nanisca during her captivity. His presence stirs deep-seated anger and fear within the Dahomey leaders. The Oyo demand tribute and threaten war if their demands aren’t met, including a humiliating request for 40 Agojie warriors. Ghezo, cautious but committed to defending his land, offers only 20 warriors, causing Nanisca’s suspicions about the Oyo’s true intentions to grow stronger.

As the threat of war becomes imminent, new allies arrive in the form of Portuguese settlers, led by Captain Santo Ferreira, with Malik—whose mother was Dahomey—standing out as a conflicted but sympathetic character. Malik is horrified by the continued brutality of the slave trade and quickly forms a bond with Nawi, sharing stories of his Dahomey heritage and exchanging small tokens of friendship. Their secret exchanges hint at burgeoning romantic feelings amid the chaos.

The Dahomey warriors participate in a grueling obstacle course competition to test their readiness for battle, where Nawi proves herself as a talented fighter. Her skills impress Ghezo, who recognizes her potential as a formidable warrior. During this period, Nanisca reveals to Amenza that she suspects Nawi might be her lost daughter, a child Nanisca deserted long ago after giving birth to a product of rape—the truth of her painful past. Confirmations come when Nanisca, in a moment of vulnerability, recognizes a distinctive mark on Nawi’s arm and discovers that she is indeed her child, the daughter of Oba Ade.

The movie shifts to a tense and brutal confrontation when the Oyo armies arrive at Dahomey’s gates, and Nanisca is haunted by her past with Oba Ade—a man who once violated her multiple times. Though Ghezo delegation only offers a limited number of troops, Nanisca’s fury and commitment lead her to prepare for battle. She, alongside Amenza, undertakes a daring plan to strike back against the Oyo, setting fire to their camp and unleashing chaos in a fierce fight. During the battle, Nawi’s bravery shines through as she takes part in fighting and shielding her fellow warriors.

In a critical turn of events, the Dahomey warriors suffer setbacks when the Oyo retaliate fiercely. Nawi’s close ally Izogie is fatally shot, dying in Nawi’s arms, which devastates her. Despite the grief, Nawi’s resolve solidifies, and with Malik’s help, she learns more about the slave traders’ plans to send captives to Europe. Nawi and Malik share a tender moment, where Nawi gives him a protective totem, symbolizing her hope for his safety.

Nanisca secretly leads a daring assault on the European slaver camp, aiming to rescue the captives and put an end to the cruel trade. They successfully set fire to the camp, causing chaos and freeing the prisoners. Malik tragically sacrifices himself by turning against the slavers, drowning Ferreira, the Portuguese leader, in the water as part of their rescue effort. Nawi fights fiercely in this climax, eventually facing off against Oba Ade himself. With strength and determination, Nanisca finally overpowers him, dealing a fatal blow and ending his tyranny.

The film concludes with the victory of the Agojie, who return home triumphant and free of the slave trade’s grip. Ghezo acknowledges Nanisca’s bravery and leadership, promoting her to the esteemed title of Woman King, a symbol of Dahonay’s resilience and strength. Nawi, having found her purpose, pays her respects to Izogie and is embraced as Nanisca’s daughter, symbolizing a new beginning. The story ends with the women celebrating their victory through dance, embodying their courage, unity, and hope for a freer, more just future.

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Last Updated: August 19, 2025 at 05:13