The Voorman Problem

The Voorman Problem

Year: 2013

Runtime: 13 mins

Language: English

Director: Mark Gill

ComedyDrama

A psychiatrist, Dr. Williams, is brought in to assess Mr. Voorman, a prisoner claiming to be a god. The doctor must determine Voorman's sanity, facing the possibility of sending him to an asylum if deemed insane. However, before reaching a decision, Williams grapples with unsettling questions about Voorman's assertions, including why a deity would be imprisoned and how such a claim could be validated, with a surprising connection to Belgium emerging.

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The Voorman Problem (2013) – Full Plot Summary & Ending Explained

Read the complete plot breakdown of The Voorman Problem (2013), including all key story events, major twists, and the ending explained in detail. Discover what really happened—and what it all means.

Dr. Williams is brought in as a prison psychiatrist after the War in the East has left a shortage of doctors. He answers to Governor Bentley, who asks him to assess a troubling case that has gripped the jail: a prisoner named Voorman believes he is a god and has convinced many inmates to worship him, spending their days in a chant-filled devotion. The exact nature of Voorman’s crime remains murky, masked by a computer malfunction that seems to erase important records.

In a stark, locked room, the straitjacketed Voorman speaks with unsettling calm, insisting that he is divine and that he created the world only nine days ago. He dismantles any evidence to the contrary by claiming that he planted memories of a world older than nine days, making everyone’s recollections a fabrication. His account is exhausting to confront, but he also reveals a desire to test his own power and, paradoxically, to ease his existential burden by imagining the world anew.

When Williams challenges Voorman’s assertions, the prisoner proposes a dramatic wager: he will demonstrate his godlike authority by erasing Belgium from existence. The idea is so preposterous that Williams jokes about it at home with his wife, Mrs Williams, who is baffled by the notion and unaware of Belgium’s geography. Williams briefly tries to show her Belgium in an atlas, only to discover that the country has vanished, replaced instead by a vast inland sea labeled “Walloon Lagoon.” The discrepancy forces Williams to reassess what is real, even as his scientific skepticism fights against Voorman’s extraordinary claims.

Back at the prison, Williams wrestles with the absence of any tangible proof that Belgium ever existed, and his doubt clashes with Voorman’s unsettling confidence. Voorman reveals an unexpected preference for confinement, explaining that he enjoys the prison’s inhabitants more than a dedicated crowd of believers. He also asserts a chilling philosophy: he created humans to entertain himself, finding human wars to be “comedy gold.” Williams, though offended by the god’s chilling pragmatism, voices his disdain for the idea of a deity who could find war entertaining.

Voorman explains why he chose Williams for this interaction: the god believes that a nonreligious man would be more susceptible to being duped by tricks. The conversation intensifies until Voorman suggests that the two should switch places. Williams protests, but before he can finish outlining his objections, Voorman begins to whistle and, in a flash, the positions are swapped: Voorman stands suddenly in the real world as a poised, well-dressed doctor, while Williams wears the disheveled, restrained appearance of a patient.

The mood shifts quickly as Voorman adopts a clinical tone, mimicking a psychiatrist’s voice to mock Williams’ attempt at dialogue. Williams, now the prisoner in a straitjacket, shouts in shock and calls for help, but Voorman starts to walk out, remarking that the interview’s results are of no use if Williams cannot speak calmly. As he departs, Voorman offers a final, eerie aside: “watch North Korea.” The sounds of prisoners’ chants swell in the background, signaling the mounting tension as the power dynamic between doctor and supposed deity tilts toward the unknown.

Last Updated: October 03, 2025 at 06:48

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Philosophical Mind-Games like in The Voorman Problem

Intellectual battles where reality itself becomes the contested prize.If you enjoyed the intellectual sparring of The Voorman Problem, you'll find more movies like it here. This collection features similar stories with high-concept debates, reality-questioning themes, and confrontations that challenge sanity and perception.

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Narrative Summary

The narrative typically unfolds as a contained, escalating dialogue between two characters, such as a doctor and patient or a skeptic and a prophet. The conflict is intellectual rather than physical, building tension through ideas until a twist reveals the fragility of one character's perceived reality.

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Movies are grouped here based on their core structure: a claustrophobic, dialogue-driven confrontation that challenges the nature of reality. They share a darkly humorous, cerebral tone, a steady pacing that builds psychological unease, and a focus on existential themes.

Claustrophobic Psychological Thrillers like The Voorman Problem

Stories where a confined setting amplifies a terrifying loss of control.For viewers who liked the confined tension and psychological unraveling in The Voorman Problem, this list recommends similar movies. These stories use limited settings to create intense, cerebral experiences where characters face existential crises and mind games.

claustrophobicunsettlingpsychologicaltensemind-bendingexistentialdarkly humorous

Narrative Summary

The journey follows a protagonist, often an authority figure, who enters a confined space to assess or control a situation. Instead, they become the subject of a psychological game, their certainty eroding as the walls close in—both literally and metaphorically—leading to a loss of self.

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These films share a potent mix of a claustrophobic setting, a dark and unsettling tone, and a plot centered on psychological manipulation. They create a specific vibe of intellectual dread, where the primary conflict is for control over one's own mind and perception of reality.

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Characters, Settings & Themes in The Voorman Problem

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Characters, Settings & Themes in The Voorman Problem

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