The Lady is a Square

Freddy is Burns's friend and agent who seizes opportunities to advance the singer's career. He helps secure financial relief by obtaining an advance from Greenslade to pay Mrs Baring's phone bill and keep her business afloat. He secretly funds Burns's rise, acting as a pragmatic connector between artist and label. His actions reveal a resourceful, opportunistic approach to show business.

Johnny Burns is an ambitious, aspiring singer who navigates both the classical and pop worlds. He courts Joanna while concealing his love of modern music from Mrs. Baring, and he rises to fame through a major label's backing. His willingness to adjust his career path for love and loyalty drives much of the plot's drama. He embodies the tension between authenticity and commercial opportunity.

Mrs. Baring is a businesswoman and patron of classical music facing bankruptcy. She arranges Spolenski's concerts as a lifeline and is protective of her daughter, enforcing a strict stance against pop music. Her financial crisis intensifies the plot, forcing difficult decisions and collaborations. She gradually negotiates between tradition and the shifting arts economy.

Joanna is Mrs. Baring's daughter, drawn toward Burns's modern sound while living under her mother's classical expectations. She becomes romantically involved with Burns, navigating parental disapproval and social boundaries. Her evolving tastes help bridge the gap between the two musical worlds depicted in the story.

Spolenski is a celebrated Eastern Bloc musician whose tour in Britain anchors the financial rescue plan for Mrs. Baring. His illness becomes a turn of events that allows the tour to be relaunched with support from Greenslade. He represents cultural exchange and the international dimension of the music industry.

Greenslade is a major record label figure who recognizes Burns's potential and signs him. He funds the career through advances and strategic deals, helping to stabilize the financial situation of the touring plan. His role illustrates the business side of music and the leverage labels hold over artists.