Year: 2013
Runtime: 114 mins
Language: Cantonese
Director: Lee Chi-Ngai
In the first of a two-part film project, three short stories from acclaimed Hong Kong writer Lilian Lee are adapted for the big screen in this horror anthology.
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Kwan is an odd-job worker who lives in a cramped, coffin-like home and has just lost his job as a restaurant assistant. Desperation pushes him toward the shadows of the city: at night he starts breaking into a columbarium, snatching funerary urns, and leaving ransom notes for the grieving families to contact him and reclaim what he’s taken. In a chilling turn, one of his conquests—the cousin of a supposed victim—turns out to be interacting with the ghost of that victim itself. The money he pockets from these ransom exchanges later appears as grotesque hell banknotes, a detail that unsettles him further. When he tries to burn the banknotes, the flames spiral out of control and he ends up burning himself to death, a grim tableau that foreshadows the story’s mingling of the living world with restless spirits.
Ho, a fortune-teller who can see ghosts, is preparing to retire to spend more time with his wife and his son. His last assignments involve Cheung, a swimming coach, and Cheung’s pregnant wife, who insists that she is being haunted by a malevolent presence. To uncover the truth, Ho teams up with his neighbor Lan, a crystal seller and fellow fortune-teller, to untangle a web of sorrow, deceit, and spectral interference. The investigation uncovers a painful history: Cheung had an affair with his student, Chan Siu-Ting, and made her pregnant. When Cheung spurned her, Chan drowned herself at sea and returned as a vengeful ghost. Ho and Lan work to calm Chan’s anger, urging the ghost to release her thirst for revenge and to seek peace in the afterlife. Along the way, Ho discovers a personal legacy—his own son has inherited his ability to perceive the unseen, a revelation that deepens the emotional stakes of their unfolding story.
Meanwhile, Chu operates as a “villain-hitter,” a ritual performer who chants curses and uses paper effigies to target the names, belongings, and lives of her clients’ chosen enemies. Her clientele ranges from a wealthy woman with a grievance against her daughter-in-law to another man with a name that oddly echoes the Hong Kong Chief Executive. Her final customer is a young woman who asks for three men and a woman to be cursed, and she intends to execute the hitting herself. As Chu accepts the commission, she slowly realizes she herself is the ghost of a woman who was raped and murdered by three men, among whom Chu’s own son is implicated. Chu witnesses the kidnapping of the woman by her son and his partners, yet she does nothing to stop it. The story’s tension peaks as the hitting intensifies, drawing a brutal line between crime, guilt, and supernatural consequence. In the end, the fates of Chu and the others collide in a dramatic, consequential conclusion that binds the living and the dead in a shared, unsettling closure.
Last Updated: October 03, 2025 at 06:48
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Somber tales where the dead return to deliver fatalistic justice to the guilty.Explore more movies like Tales from the Dark 1 where supernatural forces enact bleak justice. If you enjoyed these fatalistic tales of ghosts and retribution, you'll find similar films here about moral decay, guilt, and vengeful spirits from beyond the grave.
Stories in this thread typically follow a pattern of moral transgression leading to supernatural consequences. Characters are haunted, literally or figuratively, by their past actions, and the narrative unfolds with a sense of inevitable doom, culminating in a bleak and unresolved ending for the guilty.
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Interconnected short stories that explore dark themes of human failing and cosmic justice.Find more anthology movies like Tales from the Dark 1. If you liked its structure of three separate supernatural tales linked by themes of revenge and guilt, this collection features other horror anthologies with dark, thematically connected stories and bleak outcomes.
The narrative pattern is structural: several short films are presented within a single movie, each telling a complete story. While plots differ, they are woven together by shared tones and themes, offering a multifaceted exploration of a central dark concept, such as moral decay or the futility of escaping fate.
These films are grouped by their unique anthology format and their consistent application of a dark, heavy tone across multiple segments. They provide a specific viewing experience where thematic resonance is built through variation and repetition, rather than a single linear plot.
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