The Holy Girl

In the sleepy river town of La Ciénaga, a crumbling seaside hotel becomes a quiet crossroads of faith, desire, and the restless energy of youth. The worn‑down Hotel Termas, with its faded décor and the lingering scent of mineral waters, provides a backdrop that feels both intimate and strangely suspended in time. A medical conference has drawn a disparate crowd, and the hum of conversations mingles with the eerie notes of a theremin, setting a tone that is at once languid and oddly electric. Within this hushed world, the everyday rhythms of a small community are tinged with the unspoken tensions of a generation on the cusp of adulthood.

At the heart of the story is Amalia, a teenage girl whose life is anchored by her devout Catholic upbringing, a strikingly beautiful divorced mother who runs the hotel, and the watchful presence of her uncle Freddy. Alongside her is Josefina, her close friend, both navigating the confusing currents of emerging sexuality while trying to reconcile those feelings with the moral framework they have been taught. The girls’ bond is a fragile sanctuary, a shared space where whispered doubts and tentative hopes surface beneath the surface of their daily routines.

When a charismatic physician, Dr. Jano, arrives as part of the conference, his presence introduces a subtle, unsettling ripple to the hotel’s quiet equilibrium. Amalia perceives his enigmatic charm as both an invitation and a moral dilemma, sparking an inner conflict that blurs the lines between spiritual duty and personal longing. The film’s tone hovers between contemplative serenity and a simmering undercurrent of unease, inviting the audience to linger in the spaces where innocence meets temptation, and where the search for redemption becomes an intimate, unsettling pilgrimage.

Last Updated: August 10, 2025 at 10:29