The High and the Mighty

In Honolulu, Hawaii, a DC-4 airliner quietly prepares to push back for San Francisco with 17 passengers and a five-member crew. On the flight deck, the former captain Dan Roman [John Wayne] is the seasoned first officer whose signature whistle often carries through the cabin, and he carries the weight of a past air crash that claimed his wife and son, leaving him with a permanent limp. At the controls, Captain John Sullivan [Robert Stack] bears a different kind of burden—a deep-seated, almost existential fear of responsibility after thousands of hours safeguarding the lives of strangers. The flight’s dynamic trio is completed by Hobie Wheeler [William Campbell], the eager young second officer, and Lenny Wilby [Wally Brown], a veteran navigator whose decades of experience sit in contrast to Hobie’s fresh energy. Together, they embody a spectrum of aviation generations, each bringing a distinct temperament to a routine departure that suddenly feels unsettled.

In the cabin, flight attendant Miss Spalding [Doe Avedon] keeps a steady watch over the passengers, moving with practiced efficiency as she steers conversations and discreetly attends to the personal storms around her. Among the travelers are May Holst [Claire Trevor], a jaded former actress whose detachment masks a sharper longing for meaning; Lydia Rice [Laraine Day], an heiress dealing with an unhappy marriage and an anxious future; Sally McKee [Jan Sterling], an aging beauty queen who clings to a outward glow that belies underlying pressures; and Ed Joseph [Phil Harris], a cheerful vacationer who tries to keep spirits light. A terminally ill passenger, Frank Briscoe [Paul Fix], receives the kindness of Spalding, who is briefly moved by his pocket watch and the quiet dignity of his acceptance of time slipping away. A late arrival, Humphrey Agnew [Sidney Blackmer], unsettles the aircrew with his odd behavior, hinting at trouble beneath the surface.

Shortly after takeoff, the flight experiences sporadic, unsettling vibrations that unsettle the cabin and baffle the crew. The team suspects something wrong with the propellers but cannot pinpoint the issue, and when a vibration sends Spalding’s hand to the heat of the cabin, Dan pauses to inspect the tail compartment, finding nothing obvious but growing unease. As night falls and the airliner crosses the point of no return, Agnew corners Ken Childs [David Brian], accusing him of infidelity and triggering a tense struggle that foreshadows the danger ahead. The craft suddenly lurches when one propeller fails and an engine catches fire, though the crew manages to douse the flames. The engine tears loose from its mounting, the ship loses fuel through a damaged wing tank, and the odds of survival begin to look painfully slim.

With the air turning cold and the ocean looming far below, the flight crew radios for help and organizes a rescue plan. José Locota [John Qualen] disarms Agnew and keeps him restrained, a steadying influence among the panic, while Gustave Pardee [Robert Newton], who had been quietly fearful of flying, helps steady the mood with quiet courage. Dan explains the grim math to the passengers in simple terms, insisting that their chances of reaching land are “one in a thousand,” and encouraging everyone to confront their personal troubles with a renewed sense of purpose. The passengers respond with a communal resolve, loading and discarding luggage to shed weight, a desperate but necessary measure that even May Holst negotiates with a symbolic gesture, kissing her mink coat goodbye as if surrendering a lifeline.

Back on the ground in San Francisco, Tim Garfield [Regis Toomey] sits in the airline’s operations center watching the clock and the weather with growing concern. A shift in the winds promises a slight improvement, but Wilby reveals a fundamental navigation error that leaves the crew with even tighter margins than anticipated. Faced with the grim reality of a possible ditching, Sullivan’s initial panic is tempered by Dan’s steady leadership; the veteran insists that a controlled landing, though perilous, is preferable to certain catastrophe at sea. The crew guides the wounded airliner into a rain-swept night, hugging the coast as they approach the city’s hills.

Against the odds, the plane ascends from the darkness and breaks into the glow of San Francisco’s runway lights, the cockpit and cabin holding their breath until the aircraft touches down and slides to a controlled stop. Passengers disembark to the relief and astonishment of reporters and onlookers, while Garfield surveys the aftermath with a weary smile and a sense of grim pride. Inside the cabin, the crew surveys the battered engine, noting that only about 30 gallons of fuel remain—a sobering reminder of how close they came to disaster. Dan, limping but quietly triumphant, acknowledges the gamble they took and walks away into the night, whistling that same stubborn tune that has carried him through the shadows.

So long … you ancient pelican.

Last Updated: October 07, 2025 at 09:01