The Great Sinner

The Great Sinner

Year: 1949

Runtime: 110 mins

Language: English

Director: Robert Siodmak

RomanceDramaFaith and religionEngaging intense crime and casino dramaShow All…

A great star for every role in a great drama A young man succumbs to gambling fever.

Warning: spoilers below!

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Timeline & Setting – The Great Sinner (1949)

Explore the full timeline and setting of The Great Sinner (1949). Follow every major event in chronological order and see how the environment shapes the story, characters, and dramatic tension.

Time period

1860s

Set in the 1860s, the story unfolds across Wiesbaden’s gambling scene and the era’s travel routes between major European cities. Attire, manners, and social codes of the period frame the decisions and tensions around debt, fortune, and romance. The time period emphasizes a world where luck and social status dictate outcomes.

Location

Wiesbaden, Moscow, Paris

The film opens in a damp attic in Wiesbaden, a German spa town known for its gambling halls. The narrative then follows Fedya as he travels from Moscow to Paris, with the Wiesbaden casino milieu serving as a key backdrop. These European settings establish a high-stakes world where luck, money, and reputation shape the characters' lives.

🏰 Wiesbaden 🚆 Moscow 🌆 Paris

Last Updated: October 04, 2025 at 15:28

Main Characters – The Great Sinner (1949)

Meet the key characters of The Great Sinner (1949), with detailed profiles, motivations, and roles in the plot. Understand their emotional journeys and what they reveal about the film’s deeper themes.

Fedja (Gregory Peck)

A writer who becomes obsessed with gambling after meeting Pauline, Fedja travels from Moscow toward Paris and settles in Wiesbaden to study addicts. He experiences a winning streak that funds his pursuit, followed by ruin as luck falters. His fixation culminates in mounting debt, dizzy spells, and a desperate bid to redeem what he has lost. He also writes a manuscript that meditates on gambling's hold over the mind.

🎭 Drama 🎲 Gambling

Pauline Ostrovsky (Ava Gardner)

A reformed gambling addict and daughter of General Ostrovsky, she is drawn to Fedja but is entangled in an arranged engagement with Armand to satisfy her father’s debts. Her loyalty to family clashes with her feelings for Fedja and her own sense of autonomy. She embodies conflict between love and obligation, ultimately seeking forgiveness and a path to redemption.

💔 Drama 🎲 Gambling

Armand de Glasse (Melvyn Douglas)

Wealthy, ruthless owner of the casino who wields financial power to pressure Pauline’s family. He exploits Pauline’s betrothal as a ticket to control her, using debt as a tool to maintain dominance. Armand’s character embodies the corrupting influence of money and the cold calculus of prestige.

💰 Drama

Aristide Pitard (Frank Morgan)

An old thief and gambler who initially seems to help Fedja, then becomes a catalyst for the crisis by wagering and losing the money Fedja lends him. Pitard’s death by suicide after losing everything marks a turning point, illustrating gambling’s fatal consequences and the human cost behind every debt.

🎭 Drama 💸 Gambler

Emma Getzel (Agnes Moorehead)

A pawnbroker who refuses to buy Pauline’s religious medal, she embodies a pragmatic, morally ambiguous stance toward objects of value. Her reluctance underscores the fragility of symbolic possessions in a world ruled by debt and desperation.

💎 Drama

General Ostrovsky (Walter Huston)

Pauline’s father, a wealthy but debt-ridden patriarch whose fortunes and demands drive much of the plot. He leverages his daughter’s engagement to Armand to secure funds, showing how familial duty can intersect with merciless money power. He embodies the strain between social status and moral responsibility.

💼 Drama

Grandmother Ostrovsky (Ethel Barrymore)

An elderly gambler who loses a fortune at the Baccarat table, her downfall reflects the dangers of gambling across generations. Her decline and death at the table intensify Pauline’s stakes and foreshadow the ultimate costs of the family’s gambling debts.

🎭 Drama

Last Updated: October 04, 2025 at 15:28

Major Themes – The Great Sinner (1949)

Explore the central themes of The Great Sinner (1949), from psychological, social, and emotional dimensions to philosophical messages. Understand what the film is really saying beneath the surface.

🎲 Gambling Obsession

Fedja’s fascination with gambling grows from intellectual curiosity into a consuming fixation. He funds his pursuit with winnings and uses it to influence Pauline and her family, only to see luck prove unreliable. The story traces how an obsession with fortune can erode relationships, health, and moral judgment. The manuscript Fedja writes becomes a meditation on the seductive power of games of chance.

❤️ Love vs Debt

Pauline’s relationship with Fedja is tangled by her father’s debts and the casino’s control. Romantic feelings collide with financial leverage and social pressures, complicating genuine affection. Loyalty to family and the lure of love pull in opposite directions, challenging forgiveness. The ending suggests redemption is possible, but not without confronting money’s grip on hearts.

🎰 Illusion of Luck

The film probes the myth of luck through Fedja’s roulette highs and Baccarat lows, revealing luck as precarious and socially engineered. Armand’s ruthlessness shows how power can manufacture outcomes, turning chance into debt and control. The narrative presents gambling as a mirror for personal choices, not a guaranteed path to happiness. The accompanying manuscript serves as a counterpoint to the gambler’s creed.

Last Updated: October 04, 2025 at 15:28

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The Great Sinner Summary

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The Great Sinner Summary

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The Great Sinner Timeline

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