The Garden of Allah

In the golden heat of the Sahara, a quiet convent clings to the edge of the world, its stone walls echoing centuries of prayer. Domini Enfilden returns to the cloister after her father’s passing, carrying a lingering ache of loneliness and a yearning to understand what lies beyond the habit. Guided by the steady wisdom of Mother Superior Josephine, she is encouraged to look inward, even as the desert’s stark beauty tempts her toward something larger and more uncertain.

Far across the dunes, a solitary monastery watches over the shifting sands, its monks bound by vows that seem as unyielding as the landscape itself. Among them moves an enigmatic figure whose doubts about faith have led him far from the quiet of the cloister. When Boris Androvsky steps beyond the walls of his order, his restless spirit collides with Domini’s emerging desire for self‑discovery, setting the stage for a love that feels both inevitable and forbidden.

The film unfolds as a lyrical meditation on devotion, secrecy, and the pull of the unknown. The desert, described as “the garden of Allah,” becomes a living character—an endless horizon that reflects inner doubts and offers the promise of revelation. With the gentle counsel of the urbane Count Ferdinand Anteoni and the ever‑present tension between sacred duty and personal yearning, the story invites viewers to wander through a landscape where faith and passion intertwine, leaving every step shrouded in both wonder and uncertainty.

Last Updated: December 05, 2025 at 10:11