Year: 1995
Runtime: 103 mins
Language: Spanish
Director: Álex de la Iglesia
A devilishly dark comedy that follows a Basque Roman Catholic priest who vows to commit as many sins as possible, a death‑metal salesman from Carabanchel, and an Italian TV occult host. Together they embark on a literal Christmas‑time trip through Madrid, racing amid a chaotic quest to locate and stop the Antichrist’s reincarnation.
Get a spoiler-free look at The Day of the Beast (1995) with a clear plot overview that covers the setting, main characters, and story premise—without revealing key twists or the ending. Perfect for deciding if this film is your next watch.
In a Madrid that feels both holy and profane, the city’s streets pulse with the restless energy of the holiday season, yet an undercurrent of absurdity runs through every alley and rooftop. The film paints the capital as a sprawling, chaotic playground where neon shop signs clash with ancient churches, and the everyday bustle is tinged with a darkly comic sense of impending doom. This urban tapestry, bathed in winter’s cold glare, sets the stage for a story that constantly teeters between reverent satire and unbridled hilarity.
At the heart of the tale is Ángel Berriatúa, a Basque priest and theology professor whose faith takes a paradoxical turn when he vows to commit as many sins as possible in an effort to outwit a malevolent force. His solemn vows are matched only by an unorthodox sense of purpose, providing a bizarre counterpoint to his clerical duties. Ángel’s internal conflict fuels the film’s black‑humored exploration of belief, doubt, and the lengths one might go to confront evil.
Joining him is José María, a flamboyant death‑metal enthusiast from Carabanchel whose love of the most extreme music is matched only by his fascination with the occult. His brash confidence and gritty street‑wise outlook clash and complement Ángel’s clerical earnestness, creating a partnership that is as unlikely as it is electrifying. The duo’s third companion, Professor Cavan, an Italian television host who specializes in occult phenomena, adds a layer of macabre showmanship and scholarly eccentricity. Together, they form a trio whose disparate worldviews collide in a riotous, often frantic, camaraderie.
Against the backdrop of a Christmas‑time Madrid, this unconventional band of believers embarks on a frantic, city‑wide chase to locate and stop the Antichrist’s reincarnation. Their quest is framed by dark humor, vivid cultural clashes, and a relentless sense that something extraordinary lurks just beyond the festive lights. The film’s tone stays ever‑presently mischievous, inviting viewers to wonder how far these characters will go—and what absurdities await them—long before any resolution is revealed.
Last Updated: October 27, 2025 at 16:42
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