Year: 2001
Runtime: 78 min
Language: Persian
Director: Marzieh Makhmalbaf
This poignant film explores three distinct phases of a woman's journey, presented as a visually stunning triptych. Through humor, surrealism, and moments of heartache, the story unfolds against a backdrop of striking imagery. It’s a debut feature directed by Marziyeh Meshkini and features a script by acclaimed director Mohsen Makhmalbaf, offering a unique and deeply moving portrait of female experience.
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The film intricately weaves together three interconnected narratives that highlight the struggles of women seeking their identities within the confines of Iranian society.
In the first story, we meet Hava, who is celebrating her ninth birthday. On this special day, her mother and grandmother inform her that she has reached womanhood, which means she can no longer engage in play with her boyhood friend and must wear a chador when outside. Determined to cling to her childhood, Hava learns that she was born at noon and persuades her family that she remains a child until that exact moment. To mark the time, she cleverly uses a stick planted in the ground to track the shadow that will align with it at noon. The film captures her quest as she endeavors to savor her final hour of childhood bliss.
The second segment follows Ahoo, a married woman who is eager to participate in a women’s cycling competition. Leading the race, she is interrupted by her husband, who arrives on horseback, insisting that she stop and return home. His threats of divorce only fuel Ahoo’s determination, prompting her to continue cycling. In a shocking turn of events, her husband summons a mullah to administer their divorce. Despite the relentless efforts of tribal leaders and male relatives trying to impose societal constraints on her, Ahoo’s resilience shines through as she resists their attempts to control her.
Lastly, we are introduced to Hoora, an elderly widow who has come into a substantial inheritance. With newfound freedom, she sets out to acquire all the possessions she had longed for during her marriage. Tying strings around her fingers as reminders, she enlists the help of several young boys to carry her purchases, which include furniture and white goods. Their journey leads them to the beach, where Hoora prepares to board a waiting ship, symbolizing her escape from the limitations of womanhood. Meanwhile, two of the young participants from the bicycle race observe her from a distance, along with Hava, who has now donned her chador, offering a poignant reflection on the complexities of freedom and identity.
Last Updated: November 15, 2024 at 18:39
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