The Crossing I

In the waning days of World War II and amid the upheaval of the Chinese Revolution, three couples from disparate backgrounds and nationalities find themselves compelled to leave the mainland for the distant island of Taiwan. Their journey is set against a landscape scarred by conflict, where shifting loyalties and uncertain futures shape every decision. The film frames this exodus as both a literal crossing of treacherous seas and a metaphorical passage from a shattered past toward the promise of a fragile new beginning.

At the heart of the story stands Lei Yifang, a seasoned general whose sense of duty is tested by the changing tides of war. Beside him, Dr. Yen Zekun — a field medic with a foot in both the occupying forces and his native land — grapples with the weight of his divided identity. Zhou Yunfen, a poised debutante, brings a perspective of privilege and hidden yearning, while Yu Zhen, a modest hospital orderly, carries a quiet resilience forged in hardship. Completing the ensemble, Tong Daqing serves as a signal sergeant whose loyalty to his comrades fuels his resolve. Together, these characters form a tapestry of hopes, fears, and unspoken ties that drive the narrative forward.

The tone balances sweeping historical scope with intimate, character‑driven moments, using visual motifs such as lingering photographs and lingering notes of music to hint at deeper connections. The atmosphere is thick with anticipation and melancholy, capturing the stark beauty of a nation in transition and the personal cost of survival. Light and shadow play across both battlefield and home, underscoring the fragile balance between duty and desire.

As the couples navigate the uncertain currents of a world reshaped by war, the film invites viewers to contemplate the enduring power of memory, love, and perseverance. With each step toward Taiwan, the characters carry not only their belongings but also the lingering echoes of a past they cannot fully escape, promising an emotionally resonant odyssey that lingers long after the final frame.

Last Updated: October 07, 2025 at 13:25