Starting Over

In the bustling corridors of New York City, Phil Potter—a once‑successful magazine writer—finds his personal life unraveling just as his professional world begins to wobble. Faced with the finality of a divorce and the lingering echo of a former marriage to Jessica, he decides to leave the familiar skyline behind, trading Manhattan’s frantic rhythm for the quieter, cobblestone streets of Boston. The film opens with a keen sense of bittersweet transition, pairing the glitter of a career built on words with the quiet ache of a man trying to relearn how to live alone.

Boston introduces Phil to a network of unexpected allies. His brother, Michael “Mickey” Potter, a compassionate psychiatrist, offers both practical support and a gentle push toward healing, suggesting that community can be a balm for the wounded heart. Through a modest apartment and the tentative steps of a support group for recently divorced men, Phil begins to confront the stubborn shadows of his past while tentatively opening the door to new possibilities. The tone balances warm humor with tender introspection, allowing moments of levity to sit comfortably alongside the more reflective beats.

Amid the city’s autumnal charm, Phil’s path crosses with Marilyn Holmberg, a guarded yet intriguing woman whose own reservations about love echo his own. Their chemistry is charged with the electric uncertainty of two strangers navigating the fragile terrain of second chances. While the story hints at the complexities of forging connections after loss, it never rushes toward resolution, instead savoring the delicate dance of attraction, mistrust, and the hope that perhaps, together, they might learn what it truly means to start over.

Last Updated: August 10, 2025 at 14:13