Year: 1989
Runtime: 196 mins
Language: German
Ulrich Mühe portrays a ruthless German businessman born without a conscience, thriving in the turbulent aftermath of World I. His unprincipled rise is set against the starkly opposite worldview of a Jewish anarchist, highlighting the clash of morality and ambition in a stormy, chaotic era.
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The film centers on young right-wing Leutnant Theodor Lohse [Ulrich Mühe], who endures personal and national humiliation during the downfall of the German Empire and the German Revolution of 1918, the aftermath of World War I. From that moment he vows revenge on those he blames for the upheaval: Democrats, socialists, and Jews, and he drifts into the right-wing underground of the early Weimar Republic. He joins an organization called S II (a nod to real-world political violence) where his immediate superior is Baron von Rastchuk [Armin Mueller-Stahl]. This baron introduces Lohse to Prince Heinrich in order to get Lohse employed, a favor the homosexual prince demands as a one-time bodily obligation from Lohse. Despite his initial shock and disgust, Lohse yields to the prince’s demand out of opportunism and a wish to please his superiors.
Lohse becomes a full-time spy for the organization, moving with unprecedented, relentless ambition and unscrupulousness. He spies on Communist plots, partakes in the organization’s plans to undermine the new German democracy, and disposes of his own right-wing colleagues when it serves his ascent within the movement. Along the way he meets Benjamin Lenz [Klaus Maria Brandauer], a Jewish man who trades in information about criminal and underground political dealings, selling to anyone who will pay—left, right, or police. Although Lohse harbors deep-seated anti-Semitism, he finds Lenz’s services useful, yet Lenz’s knowledge grows, and he gradually gains leverage over Lohse’s schemes.
When Lenz learns that Lohse ordered a pogrom against the local Jewish ghetto, he confronts Lohse in private, beating him close to unconsciousness and nearly forcing him to jump from a window to evade punishment. In the end, Lenz is murdered by Lohse’s henchmen, pushed in front of an oncoming train, because he knew too much. The film closes in late 1923 with Lohse leaving a festivity of conservatives and monarchists, and, with glowing eyes, declaring that restoring the monarchy has become “old hat,” while hinting at a looming threat led by a “new man” preparing a putsch in Munich to count on — a man named Adolf Hitler.
old hat
“new man” preparing a putsch in Munich to count on — a man named Adolf Hitler.
Last Updated: November 29, 2025 at 00:47
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Ambition without morality powers a chilling climb through a crumbling society.Explore movies like Spider’s Web, featuring characters who seize power through immoral means in turbulent times. This list includes historical dramas and thrillers where ambition trumps conscience, focusing on unprincipled rises in chaotic, decaying societies.
The narrative centers on a central figure who recognizes the vacuum of power in a destabilized world. They methodically manipulate events and people, escalating their influence and brutality. The story is a linear chronicle of their corrupting success, often concluding with their worldview validated, however bleakly.
Movies in this thread share a focus on a specific character archetype: the pragmatic, conscience-free individual who succeeds precisely because of their lack of scruples. They are united by a dark tone, steady pacing that charts the rise, and a heavy emotional weight derived from the protagonist's chilling actions.
Unflinching portraits of societies collapsing into brutality and hatred.Find movies similar to Spider’s Web that depict the grim moral decay of a historical period. These films are set in eras like Weimar Germany or other pre-war societies, showcasing a dark, tense, and heavy viewing experience focused on political violence and ethical collapse.
These narratives unfold within a society on a pessimistic trajectory, often towards a known dark historical outcome. The plot follows how individuals either contribute to, resist, or are crushed by the rising tide of extremism and moral bankruptcy. The journey is one of escalating dread and inevitable downfall.
These films are connected by their shared, oppressive atmosphere and their use of history as a backdrop for exploring themes of hatred, betrayal, and the failure of civility. They consistently feature a high intensity, a dark tone, and a heavy emotional weight, making the viewing experience consistently tense and grim.
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