Space Is the Place

In a kaleidoscopic vision of the early‑1970s, a group of interstellar travelers finally touches down on Earth after drifting through the void for years. Led by the charismatic, avant‑garde prophet Sun Ra, the Solar Myth Arkestra declares a bold new destiny for Black humanity—an “alter‑destiny” that fuses cosmic myth with the rhythms of free jazz. Their arrival lands in the gritty heart of Oakland, where the streets pulse with the hopes and frustrations of inner‑city youth, setting the stage for a cultural experiment that feels both otherworldly and unmistakably grounded in the lived experience of Black communities.

The film unfolds as a vivid, music‑driven meditation on possibility, with the city itself becoming a stage for an ever‑shifting dialogue between mythic aspiration and everyday reality. The tone is simultaneously playful and profound, marrying the flamboyant spectacle of sci‑fi spectacle with the raw, improvisational energy of the Arkestra’s sound. Through spontaneous performances, impromptu interviews, and a newly formed Outer Space Employment Agency, Sun Ra invites the young people around him to imagine a future that transcends terrestrial limits, while a devilish adversary looms as a symbolic counterforce to his uplifting vision.

Amid this swirl of color, sound, and philosophical daring, the relationships that develop are as crucial as the grand ideas. Sun Ra’s magnetic presence draws in curious allies like Jimmy Fey, a local who bridges the gap between the Arkestra’s cosmic agenda and the community’s day‑to‑day concerns. Their interactions hint at the tensions that arise when lofty ideals meet pragmatic survival, suggesting that the journey ahead will require both collective imagination and personal sacrifice. The movie invites the viewer to linger in this liminal space, where the promise of a new world feels as tangible as the beating drums that echo through the streets.

Last Updated: December 04, 2025 at 18:18