Year: 1992
Runtime: 115 mins
Language: German
Director: Helmut Dietl
A take on Germany’s 1983 Hitler diary scandal, when Stern magazine released sixty volumes of alleged diaries that were exposed as fake. It follows dealer Fritz Knobel (based on Konrad Kujau) as he sells a bogus diary, drags journalist Hermann Willié into a scheme, and mirrors dictator he pretends to resurrect. Satire skewers hoax and Germany’s uneasy past.
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Fritz Knobel, a fictionalized version of the real-life forger Konrad Kujau, makes a living by faking and selling Nazi memorabilia. He hawks a portrait of Eva Braun and one volume of what he claims to be Hitler’s diaries—though he actually wrote it himself—and hands them to factory owner Karl Lentz to showcase at a public gathering described as a “birthday party for the Führer.” The guest list includes the sleazy journalist Hermann Willié, whose interest in the latest sensational item fuels the escalating intrigue.
Knobel, ever in need of fresh material, begins to mine his own life for inspiration; after he meets Martha, she becomes his lover, while he remains married to Biggi. With Martha’s involvement, the diary becomes the imagined version of Eva Braun, and rumors about the diaries spark a high-society Nazi craze that makes it perversely fashionable to flaunt old ranks among former officials. Hermann Willié grows more obsessed, even buying Hermann Göring’s old yacht Carin II and starting an affair with his fictional grandniece, Freya von Hepp, who is based on Göring’s daughter Edda Göring. The juxtaposition of romance, wealth, and propaganda fuels the public’s appetite for the forged history.
As the forgeries go further, the diaries seem convincing enough to mislead eager journalists, who overlook several oddities—such as a false monogram “FH” instead of “AH” on one volume—choosing instead to interpret the material through their own sensational narratives. Some readers pretend the diaries contain genuine context, even inventing explanations like substituting “Führerhauptquartier” for Adolf Hitler’s name to smooth over discrepancies. Knobel even manipulates a forensic graphoanalysis to his advantage, all while living with the ever-present fear that the truth could surface at any moment.
The pressure mounts and the line between truth and fabrication grows increasingly tangled, echoing the chaos of the era as the story moves toward its conclusion. Knobel’s mounting anxiety and the temptation to identify too closely with the figure he crafts push him toward a breaking point, much as the era itself collapses under the weight of its own myths. In the final turn, Biggi and Martha step in to force him out of the forgery business just in time, while the feverish Nazi-enthusiasts fall—some more dramatically than others—according to how deeply they believed the false history he created.
Last Updated: October 09, 2025 at 12:39
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Scrambles to sustain a profitable lie as the walls close in.If you liked the frantic energy of Schtonk!, explore other movies about ambitious hoaxes and elaborate cons. These films share a similar vibe of fast-paced scheming and satirical takes on greed, where characters build a house of cards and try to keep it from falling.
The narrative follows the rise and fall of a fraudulent scheme. It typically begins with an opportunistic idea, gains momentum as gullible parties buy in, and escalates into a complex web of lies. The tension builds from the constant risk of exposure, culminating in a chaotic unraveling that holds the perpetrators accountable in a messy, often ironic, way.
These films are grouped by their shared focus on the mechanics of deception, the cynical opportunism of their characters, and the fast-paced, often comedic, tone with which they portray the inevitable implosion of a built-on-sand enterprise.
Exposes the absurd greed and incompetence lurking within powerful systems.Find movies with a similar satirical bite to Schtonk!, where media hype and institutional gullibility are the main targets. These films combine dark comedy with a critical look at how easily systems can be manipulated by a compelling, often lucrative, lie.
The narrative pattern involves a catalyst (like a forger) who exploits the vanity or greed of a large institution. The story then focuses on the frenzy within the institution as it becomes complicit in the deception, prioritizing profit or prestige over truth. The humor stems from the escalating absurdity of the situation and the blind spots of the powerful.
This thread connects movies through their shared darkly comedic tone, their focus on the theme of public deception, and their critical examination of how ambition and opportunism can corrupt systems that are supposed to know better.
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