Resident Evil: Retribution

Though the film does not specify an exact time period, it is set in a post-apocalyptic context stemming from the events of the previous installment. The collapse of civilization due to the T-Virus and the subsequent struggle against overwhelming odds creates a sense of urgency and despair, characteristic of modern-day dystopian narratives.

The film features multiple locations, starting aboard the Arcadia, a freighter belonging to the Umbrella Corporation. The story also emphasizes the suburban setting, which is revealed to be in the contaminated Raccoon City. Key scenes take place in iconic urban environments like Shibuya Square and simulate major cities including New York City and Moscow, reflecting the film's overarching themes of survival amidst chaos. The dramatic climax unfolds at the White House, presenting it as humanity's final stronghold.

🧬 Identity

A central theme in the movie revolves around identity, particularly through the experiences of Alice and clones. The revelation that Alice's suburban life is a simulation adds complexity to her identity. As Alice confronts numerous clones of herself and others, the struggle for self-definition amidst chaos underscores the emotional weight of the story.

💔 Sacrifice

Sacrifice plays a pivotal role in the film, highlighted by the choices Alice makes to protect Becky and confront former allies. The emotional toll of these sacrifices manifests when Alice must confront her zombie husband to save her daughter. These actions underscore the theme of parental love and the harsh realities of survival in a world overrun by horror.

🔫 Survival

Survival against insurmountable odds is a prevalent theme, illustrated by Alice's relentless fight against both Umbrella and its monstrous creations. The film depicts various intense battles, emphasizing resilience and the human spirit in the face of overwhelming threats. This theme resonates throughout the narratives of both Alice and the cloned characters as they navigate life-threatening situations.