Rental Family

An American actor drifting in Japan, Phillip signs on with Rental Family to secure steady work. He negotiates a string of assignments that push him to perform, yet his growing empathy reveals a capacity for genuine connection. As bonds with Mia and Kikuo deepen, he questions the morality of the arrangement and weighs personal gain against others' welfare. A pivotal moment comes when he chooses Mia's welfare over a prestigious acting role.

A married woman who wants to stage a traditional wedding for her parents before relocating to Canada. Phillip steps in as her faux fiancé, and the arrangement uncovers unexpected warmth and honesty beneath the pretense. Her arc shows how personal desires collide with family expectations and the limits of performative bonds.

A half-Japanese girl (Hāfu) who is wary of the father figure Phillip plays. Through Phillip's patient and respectful approach, she begins to trust him, turning a transactional assignment into a meaningful connection. Her evolving trust anchors the story and tests the ethics of the agency's work.

Mia's mother, who seeks Phillip's help to secure Mia a place in a private school. She warns Phillip about becoming too close to Mia, yet begrudgingly respects the care he shows. Her perspective highlights the tension between parental love and the potential overreach of the agency's services.

A retired actor whose dementia complicates Phillip's journalist-figure portrayal. Their growing friendship reveals the dignity and fragility of aging fame, and the box of old mementos anchors his past in the present. The bond becomes a counterpoint to the performative nature of Rental Family's work.

Kikuo's protective daughter, whose instincts for safeguarding her father create friction with Phillip's attempts to help. Her involvement reinforces the theme of familial duty and the complexities of sharing care across generations. She becomes a key voice for accountability within the family dynamics.

A figure connected to Rental Family who witnesses the ethical grey areas of the business. Her perspective helps anchor the discussion around exploitation and responsibility within the agency. She participates in pushing for a more ethical direction as events unfold.

Another member of the Rental Family circle who helps run the matchmaking gigs. He grapples with balancing financial realities with the human impact of their services. His stance reflects the industry's push and pull between profit and care.

The head of Rental Family who tries to keep the operation profitable and functional. He embodies the business-first mindset that drives many of the ethical tensions in the story. His rare appearances later in the film hint at possible reconciliation and reform within the company.

One of the staff members at Rental Family who handles one of the agency's matchmaking gigs. His viewpoint helps illustrate the systemic, service-oriented nature of the operation. He participates in the operation's broader discussions about ethics and accountability.

A staff member involved in coordinating gigs, whose interactions reveal the internal dynamics and pressures of the agency. His presence underscores how personal relationships can be shaped—and potentially manipulated—within the business model.

A member of the Rental Family circle whose role supports the network of assignments. Her character helps illustrate the interconnectedness of clients and performers within the agency. Her presence adds to the ensemble feel of the story.

A client connected to the Rental Family world, portrayed by Yua Shiraishi. Nanako's interactions with Phillip and the agency illuminate the personal stakes behind each engagement. Her storyline contributes to the film's emotional and ethical arc.