Rental Family

In a bustling Tokyo where personal rituals often feel as scripted as a commercial, a peculiar business has found its niche: it rents out family members and friends for moments that demand a sincere presence. From a congratulatory speech at a wedding to a heartfelt apology on someone’s behalf, the service exists to fill the quiet gaps between strangers, turning fleeting encounters into something that feels almost genuine. The tone balances warm humor with a quiet melancholy, suggesting that even the most staged connections can reveal something real about the people who seek them.

Enter Phillip Vandarploeug, an American actor whose modest résumé in Japan consists largely of background parts and a lingering fame from a toothpaste advertisement. Struggling to land a meaningful role, he is recruited by the company as its “token white guy,” a curious label that hints at both his outsider status and the eclectic nature of the clientele. The firm is overseen by the composed yet enigmatic owner Shinji Tada, and staffed by fellow performers such as the poised Aiko Nakajima and the versatile Kota Nakano. Together they navigate the delicate art of impersonation, each job demanding a blend of performance skill and emotional authenticity.

As Phillip steps into a series of makeshift relationships—playing son, father, partner, or confidant—he discovers that the line between acting and truly caring blurs in unexpected ways. The world of the rental family is a quiet stage where loneliness, cultural nuance, and the longing for connection intersect. Through witty banter, subtle cultural observations, and moments of sincere vulnerability, the film invites the audience to ponder whether the truest relationships are ever wholly scripted, or if they emerge from the shared willingness to be present, however briefly.

Last Updated: November 25, 2025 at 14:43