Radioland Murders

In the summer of 1939, the fledgling Chicago radio network broadcasting from station WBN prepares for its inaugural night, a moment that feels both triumphant and precarious. The air is thick with ambition as the station’s proprietor, General Walt Whalen, rallies his close‑knit crew to impress the powerful sponsor who holds the network’s future in his purse. The pressure to deliver a flawless performance fuels a buzz that reverberates through the studio’s brass and wiring, setting a tone that balances vintage glamour with a simmering edge of anxiety.

At the heart of the operation lies a colorful ensemble whose personal stakes intertwine with the broadcast’s success. Roger Henderson, a driven writer eager to prove his mettle, works side‑by‑side with his wife, Penny Henderson, an assistant director wrestling with a painful divorce yet determined to keep the show on course. Young page boy Billy Budget hustles through scripts and cables, while the meticulous engineer Max Applewhite fine‑tunes every frequency, and conductor Rick Rochester shapes the musical heartbeat of the evening. The quick‑tempered announcer Dexter Morris commands the microphone with swagger, and director Walt Whalen Jr. coordinates the chaos behind the scenes, supported by stage manager Herman Katzenback who keeps the physical set humming.

Beyond the studio’s lively bustle, the presence of the sponsor, Bernie King, looms large, his demands for script rewrites threatening to strain the writers’ already thin wages. Meanwhile, a cadre of police led by Lieutenant Cross watches the proceedings, wary of the high‑profile nature of the launch and the potential for trouble. The night’s excitement is punctuated by an undercurrent of unease, as whispers of mystery begin to drift through the corridors, hinting that the very existence of the new network may soon be tested by forces far beyond mere ratings.

Last Updated: November 25, 2025 at 15:16