Prey

In the sweeping savannah of a South African game reserve, an American family seeks a brief escape from the fractures of their recent divorce. Tom Newman, a hydro‑electric engineer, has brought his wife Amy and their teenage daughter Jessica to a remote resort, hoping the untamed landscape will offer a chance for quiet connection. Beneath the sun‑bleached horizon, the trio carries the weight of unspoken grievances, their interactions as jagged as the rocky outcrops that surround them.

The reserve, with its endless horizon and whispering grasses, feels both majestic and menacing. The air hums with the distant calls of wildlife, and an ever‑present sense of danger lingers in the rustle of leaves—a reminder that here, humans are merely guests. The family’s fragile unity is tested by the stark reality that the wilderness does not accommodate hesitation; predators move unseen, and the environment itself seems to watch, waiting for a misstep. The film’s tone balances breathtaking beauty with a low‑key, suspenseful dread, inviting viewers to feel the tension between awe and anxiety.

Against this backdrop, David, the younger son, and the knowledgeable ranger Brian become the family’s tentative link to the land’s deeper secrets, while Tom and Amy grapple with their waning bond. As the day darkens, the looming presence of the reserve’s most feared inhabitants—lion pride—casts an ominous shadow over the group’s fragile hope. The story promises a compelling exploration of survival, trust, and the fragile threads that hold a family together when the natural world turns from a backdrop into an unforgiving adversary.

Last Updated: October 14, 2025 at 03:47