One, Two, Three

In the bustling aftermath of World War II, the divided city of Berlin becomes a playground for ambition and absurdity. C.R. MacNamara, a sharp‑tongued Coca‑Cola executive, has been dispatched to oversee the company’s West Berlin outpost, a role that promises a coveted promotion and a future in London. The corporate world he inhabits is a cocktail of American optimism and Cold‑War tension, where every coffee break might mask a geopolitical ripple and every office memo feels like a diplomatic dispatch.

His new assignment comes with an unconventional twist: his boss, Hazeltine, insists that MacNamara look after his carefree daughter, Scarlett, while the senior partner is away. The seemingly simple task unravels when Scarlett reveals her secret marriage to Otto Piffl, a charismatic yet decidedly unconventional figure from East Berlin whose political leanings and unpolished habits sit uneasily with MacNamara’s polished corporate sensibilities. The revelation injects a frantic, farcical energy into the narrative, turning a routine caretaker role into a high‑wire act of diplomatic and personal juggling.

Adding to the swirling mix is Ingeborg, the alluring secretary whose presence hints at deeper entanglements and hidden desires. The film moves with a brisk, satirical rhythm, blending biting commentary on consumer culture, Cold‑War paranoia, and social mores with a light‑hearted, almost slapstick charm. Through witty dialogue and rapid‑fire scenarios, the story paints a vivid portrait of a man caught between career ambition, familial obligation, and the unpredictable currents of a city still learning to find its balance.

Last Updated: August 10, 2025 at 14:20