Year: 1986
Runtime: 96 mins
Language: English
Director: Christopher Morahan
Headmaster Brian Stimpson, obsessed with punctuality, prepares a speech for a conference but misses his train. He implores former student Laura Wisely for a lift. Still reeling from a breakup, Laura agrees, using her parents’ car, which alarms her mother and father. Convinced she’s run off with a married man, they call the police, sparking a frantic series of misadventures as the clock seems to turn against him.
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Brian Stimpson, John Cleese, is the organized, punctual headmaster of Thomas Tompion Comprehensive School who has just been elected to chair the annual Headmasters’ Conference in Norwich. This is a rare honor for a comprehensive school, and the moment is celebrated in a school assembly where Stimpson announces the news and the students join in singing the hymn To Be a Pilgrim, led by the music teacher, Mr. Jolly, whose presence underlines the formal, almost ceremonial tone of Stimpson’s world.
Stimpson’s carefully rehearsed plans begin to unravel the moment he tries to depart for Norwich. A lingering habit—saying “right” for emphasis—will blur into direction, and he ends up boarding the wrong train. In his desperate bid to catch the departing service, he leaves behind the copied speech that had taken him days to perfect, a casualty of his need for perfect timing. To top things off, his wife, Gwenda Stimpson, Alison Steadman, misreads the situation and leaves him at the station, thinking he has already taken the train.
With time slipping away, Stimpson searches for his wife at home and then at the dementia care hospital where she volunteers. He narrowly misses her each time, trapping him in a frenzied scramble to reach Norwich. In a moment of chance and misfortune, he encounters Laura Wisely, a lively sixth-form student who is driving and taking a study break; Laura is portrayed by Sharon Maiden. In a startling turn, Stimpson seizes her car in a bid to press on toward the conference, turning a tense journey into a madcap chase.
The situation worsens when Mrs. Stimpson—still tending to three senile residents—spots Stimpson and Laura at a petrol station and suspects an extramarital affair. She races after them, while Laura’s parents report the car stolen and their daughter missing, drawing the police into a widening pursuit. The drama is intensified by the presence of Mr. John Jolly, the music teacher who has been secretly dating Laura, adding another layer of complication to the mounting tension. Pat Garden, Penelope Wilton, is sent by a local resident to Stimpson after the attempted phone call at a roadside telephone box, only to reveal herself as an old flame and childhood friend; Stimpson coerces her into driving them toward the conference.
A string of misadventures—wrong turns, cows in fields, and a stuck car in an muddy field—forces Stimpson and the group to improvise. Stimpson ventures into a monastery for a brief reprieve, where the monks encourage him to wash away the chaos and regain his composure, while a farmer tows the car free. Pat, not far behind, is arrested for assaulting a police officer, leaving Stimpson to continue toward the conference with the stained, torn clothes from his car salesman disguise.
Across town, Stimpson’s wife and the other concerned parties—Laura’s parents, Mr. Jolly, and the police—arrive at the conference, creating a tense, uninvited crowd that unsettles the gathered headmasters. With no reliable transport, Laura and Stimpson eventually hitch a ride with a wealthy car salesman. The plan to swap clothes with Stimpson leads to a chaotic yet comic moment as they swap outfits and escape, leaving Stimpson in the car salesman’s torn suit as they make a tense dash toward the conference.
At last, Stimpson arrives, delivering an improvised recount of his lost speech. The hall becomes his stage as he speaks with the authority of a headmaster, directing the room with a brisk, admonishing energy that mirrors his control of a school. As the improvisation gains momentum, familiar figures—old women, Mr. Jolly, Laura’s parents—walk into the hall, and Stimpson treats them as late pupils, delivering a sequence of sharp, controlling remarks that echo his governance at the school. The scene culminates in Stimpson ordering everyone in the room to stand and sing To Be a Pilgrim just as at the opening assembly, a gesture that marks his final assertion of control before he steps into the police’s orbit, leaving the conference with his dignity in tatters as the officers escort him away.
Last Updated: October 09, 2025 at 14:19
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Stories where characters franticly rush against the clock amid escalating chaos.If you enjoyed the non-stop, ticking-clock chaos of Clockwise, you'll love these movies. This collection features comedies and adventures where characters face a relentless series of misadventures in a desperate race against time, perfect for fans of fast-paced, high-anxiety storytelling.
The narrative pattern here is a linear, cause-and-effect spiral of complications. A simple goal is undermined by a single initial mistake, leading to a cascade of unforeseen obstacles that must be overcome in a rapidly shrinking timeframe. The journey is less about deep plotting and more about the sheer momentum of perpetual motion and mounting frustration.
Movies are grouped here for their shared commitment to a breakneck pace and a central premise built on time pressure. They deliver a consistent mood of frantic anxiety mixed with humor or excitement, creating a cohesive viewing experience centered on the thrill and chaos of the chase.
Comedies where one person's worst day becomes an absurd, satirical spectacle.Fans of Clockwise will appreciate these movies that master the art of the satirical farce. This selection includes films where a character's single flaw or obsession triggers a hilarious spiral of public embarrassment and misfortune, all while offering witty commentary on society's quirks.
The narrative follows a deeply flawed, often pompous character whose rigid worldview or specific obsession is systematically dismantled by an uncooperative universe. Through a series of increasingly absurd and embarrassing public mishaps, the character is humbled, often achieving their goal but at a significant cost to their pride and composure.
These movies are united by their tone and structure: they are lighthearted yet sharply observant, using fast-paced farce not just for laughs but to satirize specific social behaviors or institutions. The shared vibe is one of amused cringing as we watch a meticulously ordered world fall into comedic disarray.
Don't stop at just watching — explore Clockwise in full detail. From the complete plot summary and scene-by-scene timeline to character breakdowns, thematic analysis, and a deep dive into the ending — every page helps you truly understand what Clockwise is all about. Plus, discover what's next after the movie.
Track the full timeline of Clockwise with every major event arranged chronologically. Perfect for decoding non-linear storytelling, flashbacks, or parallel narratives with a clear scene-by-scene breakdown.
Discover the characters, locations, and core themes that shape Clockwise. Get insights into symbolic elements, setting significance, and deeper narrative meaning — ideal for thematic analysis and movie breakdowns.
Get a quick, spoiler-free overview of Clockwise that covers the main plot points and key details without revealing any major twists or spoilers. Perfect for those who want to know what to expect before diving in.
Visit What's After the Movie to explore more about Clockwise: box office results, cast and crew info, production details, post-credit scenes, and external links — all in one place for movie fans and researchers.
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