Namme

In the mist‑kissed heights of the Georgian mountains, a remote village draws its life‑force from a crystal‑clear spring that locals treat as a living relic. The water, guarded for generations, is believed to hold a quiet, healing power that sustains the community’s wellbeing. Within this isolated world, the family that watches over the spring lives in rhythm with the landscape, their daily rituals echoing ancient, pagan reverence.

The patriarch, Ali, is the keeper of the spring’s secrets, and when his sons move away, he entrusts the delicate stewardship to his only daughter, Namme. She steps into a role that has long been bound by tradition, shouldering responsibilities that her three brothers—each carrying a distinct worldview, from devout faith to secular thought—have chosen to abandon. Their differing paths create a subtle undercurrent of tension, hinting at how personal belief can clash with collective duty.

Beyond the mountains, the encroaching pulse of modern life begins to whisper through the valley, suggesting new possibilities and unseen pressures that challenge the family’s age‑old practices. The quiet cadence of the film mirrors this contrast, moving slowly like the river itself, inviting viewers to feel the weight of heritage while sensing an inevitable shift on the horizon.

The tone is meditative and lyrical, bathed in natural light and the soft sounds of water, allowing the audience to linger on each visual breath. As Namme embraces her guardianship, the story teases the delicate balance between preserving a sacred legacy and the pull of an ever‑changing world, leaving the outcome as open and mist‑filled as the mountains themselves.

Last Updated: September 20, 2025 at 16:46