Murder

In a city where sleek boutiques clash with untamed wilderness, Vikram pursues his passion as a fashion and wildlife photographer, capturing moments that straddle art and raw reality. His world is a kaleidoscope of vibrant shoots, high‑stakes assignments, and the restless energy of a creator constantly on the move. Yet beneath the glossy surface lies a lingering sense of isolation, a subtle ache that follows him from studio to savanna.

When a heart‑wrenching video surfaces, announcing the departure of his girlfriend Roshni, the delicate balance of his life tilts dramatically. Their relationship, once a bright thread in his bustling existence, becomes a source of quiet tension, prompting him to seek solace in a dimly lit bar where chance introduces him to Nisha Sengupta. Drawn together by shared loneliness, their connection deepens quickly, leading Nisha to move into the same apartment that holds lingering echoes of Roshni’s presence.

The house itself is a character of its own, its walls steeped in the lingering traces of a bygone era. Owned by a reclusive British lady, the residence harbors a concealed room—an architectural anomaly built during the tumultuous days of 1947, a hidden refuge meant for a secretive past. The very notion of a private, self‑contained space within the home adds a layer of mystery, suggesting that the walls may have witnessed more than ordinary domestic life.

Amidst these intertwined relationships, the film unfolds with a moody, atmospheric tone that blends the elegance of high fashion with the grit of untamed wilderness. It explores the fragility of love, the echo of secrets waiting to be uncovered, and the lingering question of how far individuals will go to protect—or discover—the truth that lies behind closed doors.

Last Updated: September 09, 2025 at 15:24