Metallica: Some Kind of Monster

In the spring of 2001, Metallica finds itself struggling with internal conflicts and public discontent following their lawsuit against Napster. The departure of bassist Jason Newsted exacerbates the situation, creating significant rifts within the band that require urgent attention.

To address their growing tensions, Metallica brings in performance coach Phil Towle. However, Newsted remains skeptical of the effort, openly dismissing it as lame and weak, which underscores the band's fraught atmosphere.

Despite the internal struggles, the band begins working on a new studio album in an abandoned barracks at the Presidio of San Francisco. Collaborating with producer Bob Rock, who also fills in on bass, they start to create new tracks that highlight a more unified effort.

As the album begins to take shape, James Hetfield decides to leave the sessions to enter drug rehabilitation. This unexpected move halts the project and introduces further uncertainty regarding the band's future.

Lars Ulrich seeks feedback from his father regarding the material they’ve created. He receives harsh criticism, which adds to the already mounting doubts about their work and creates further distress within the band.

As months pass without Hetfield's presence, the remaining members struggle with doubts and fears about Metallica’s longevity. Ulrich, Rock, and Hammett continue their therapeutic sessions with Towle, as Hammett seeks solace at his ranch.

In a significant moment, Ulrich meets with former Metallica guitarist Dave Mustaine, who expresses his lingering resentment towards the band. Their confrontation brings unresolved feelings to the surface and highlights the complexities of their history.

After six months without Hetfield, Metallica decides to let go of their lease at the Presidio. This decision leaves their album and the band's future shrouded in uncertainty, indicating the serious implications of Hetfield’s absence.

In April 2002, Hetfield completes his rehab and rejoins the band at their new studio. He introduces a strict four-hour workday and enforces rules preventing discussions about recorded material without his presence, introducing tension with his bandmates.

As Hetfield's control over the recording process intensifies, Ulrich expresses his frustrations in a meeting. The strain put on their relationships brings forth the underlying fear and anxiety within the group about their collaboration.

Amid rising conflicts, Hammett provides a balancing presence within the band. He is taken aback by the decision to omit guitar solos, highlighting the creative tensions that have developed during the recording sessions.

The band grapples with their management’s push for a promotional video for a radio contest. This frustration ultimately fuels the creation of the track 'Sweet Amber,' showcasing the interplay of external pressures and creative output.

As they prepare for their performance at the MTV Icon tribute show, Metallica searches for a new bassist. They ultimately choose Robert Trujillo, whose style reminds them of the late Cliff Burton, signaling a new chapter for the band.

The band decides to name their new album 'St. Anger' and films a music video for its title track at San Quentin State Prison. This marks a significant moment in their career as they prepare for a break from touring.

The film concludes with an electrifying montage of Metallica performing 'Frantic' during their 2003 summer tours. 'St. Anger' achieves significant commercial success, debuting at number one in 30 countries worldwide.