Messy

Stella Fox finally turns the chaos of her New York dating life into a story of her own. After a string of brief, often abusive encounters—​the careless party‑goer, the jealous bar‑owner who hides a daughter, the non‑consensual bartender, the incel‑aligned teen, and even a pair of vampire‑themed clubbers—​she decides to stop looking for a “perfect guy” and instead writes about what she’s lived through. She types up an article recounting the messiness of being a single woman in the city and sends it to her favorite publication. The piece lands, and editor Leo Montaigne calls her in, offering her a position at Conversation magazine.

Just as Stella begins to feel that her career might finally give her the validation she’s been craving, she bumps into Ivan, a charming stranger who chats her up with trivia about Katherine Hepburn’s old Tudor City apartment. The connection feels fresh and uncomplicated, and the film ends with the two of them sharing a cab toward Stella’s building, leaving the audience to wonder whether this new romance will diverge from the pattern of “messy” relationships she’s endured. In short, the climax of Messy is less about finding a flawless love story and more about Stella reclaiming agency—transforming her painful experiences into art, securing a professional foothold, and opening herself to the possibility of a healthier connection.

Last Updated: December 27, 2025 at 21:40