Manodrome

The ending of Manodrome is deliberately ambiguous and provocative, leaving viewers questioning Ralphie’s final fate and the moral implications of his journey. Throughout the film, Ralphie is depicted as a deeply troubled man, haunted by childhood trauma, daddy issues, and a sense of inadequacy. His involvement with Dan’s toxic masculinity group temporarily boosts his confidence and sense of power, but it also amplifies his misogyny and homophobia. Ralphie’s actions become increasingly violent and reckless, including bullying passengers, assaulting a gay man, and physically confronting the black gym buddy, all driven by his warped perception of the world.

In the closing scenes, Ralphie exhibits a mix of deterioration and misplaced hope. He is given a rare moment of kindness at an old age home, which feels out of place considering his spiraling violence and mental decline. The film then cuts to him being arrested, but the final shot is left ambiguous—he is either being taken into custody or simply walking away, leaving us to wonder about his future. The film seems to suggest that Ralphie, consumed by his trauma and hatred, is destined for a bleak, cyclical existence. At the same time, the ending’s vagueness leaves room for interpretation: Is he truly remorseful or just broken beyond repair? The story implies that his toxic masculinity and unresolved inner demons dominate his life, condemning him to a tragic, unresolved end. Ultimately, Manodrome ends with Ralphie trapped in his cycle of violence and hatred, a reflection on how deeply ingrained trauma and societal toxicity can shape an individual’s destiny.

Last Updated: June 25, 2025 at 09:01