Maharadhi

Bala works as a music teacher at Naresh Chowdary's college, establishing the everyday rhythm of his life. The look of calm competence hints at a double life that will soon collide with another man who looks identical. This setup introduces the central doppelgänger premise that threads through the film.

Krishna works as a dance master in Chamundeswari's college and mirrors Bala in appearance. His presence quickly becomes a source of fascination and tension for the students and staff alike. The look-alike dynamic sets the stage for the love and identity swaps to come.

Kalyani gradually falls in love with Krishna, guided by Bala's influence. Krishna woos her and she reciprocates, even as her father Naresh remains wary. The budding romance threatens the social boundaries between the two families.

Naresh Chowdary rejects Krishna's suit for his daughter. In despair, Kalyani locks herself in a room and pleads with her father to accept her love. The emotional standoff creates a crisis that drives the families toward a possible reconciliation.

Bala intervenes to push a meeting between Naresh and Krishna, urging them to talk things through. The meeting lays bare the confusion around identities and loyalties. It becomes a turning point that reveals deeper connections behind the surface appearances.

Naresh learns that Krishna is Bala, his music teacher, and shocks further to discover that Chamundeswari is his wife who had been separated from him long ago when Kalyani was a child. This revelation reframes the conflict by tying the lovers to the same families. The sense of history and intertwined fates intensifies the stakes.

Left with no choice, Naresh asks Chamundeswari to persuade Krishna to marry Kalyani. Chamundeswari agrees, and Naresh and Chamundeswari meet Krishna to discuss the arrangement. The proposal to unite the families through a marriage intensifies the emotional churn of the plot.

When Chamundeswari asks Krishna to marry Kalyani, he rejects and begins acting as Bala. He finally confesses that he is Balayya, not Krishna or Bala. The twist shifts the entire narrative into Balayya's backstory and motives.

Balayya is an uneducated simple guy who lives with his mother Saralamma in Visakhapatnam. A dance researcher named Bhairavi arrives to study him and gradually falls in love, changing his lifestyle. The romance opens a new arc that connects Balayya's life to the others' destinies.

As the relationship deepens, Bhairavi reveals that Chamundeswari is her mother, complicating loyalties and alliances. Chamundeswari initially tries to keep Bhairavi away from Balayya, fearing the impact of their union. The family ties deepen the conflict and heighten emotional stakes.

Chamundeswari tries to stop the couple from marrying, and she humiliates Saralamma at the marriage function hall. Saralamma goes missing after the humiliation, triggering a frantic search. The negative actions drive the tragedy that follows.

Balayya and Bhairavi search for Saralamma and eventually learn that she has died in a hospital. Bhairavi suspects Chamundeswari of causing the death and confronts her. Chamundeswari denies responsibility, adding moral weight to the conflict.

Overwhelmed with remorse, Bhairavi learns Chamundeswari's role in the tragedy and takes her own life as punishment. Balayya is devastated by the loss and becomes determined to confront Chamundeswari. The tragedy crystallizes his resolve to seek justice.

Balayya roams the streets in a distressed state and decides to teach Chamundeswari a lesson for her arrogance. His actions set the stage for a final reckoning between the families. The quest for balance and retribution threads toward the film's climax.

Chamundeswari apologizes for her acts, and Balayya forgives her, reuniting Naresh Chowdary and Chamundeswari. Balayya then goes to Kalyani and accepts her love, bringing the story toward a hopeful resolution. The film ends with reconciled families and a renewed sense of belonging.