Year: 1981
Runtime: 109 mins
Language: English
Directors: Pat Murphy, John Davies
Maeve returns home to Belfast after a long absence. Her arrival in the city stimulates a series of memories of childhood and adolescence both in herself and other people.
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In Belfast during the Troubles, a soldier knocks on Martin Sweeney’s door and warns him about a bomb. While waiting it out, the soldier writes to his daughter, Maeve, Mary Jackson who is at a party.
Maeve has just landed at the airport and boards a bus bound for Belfast. While on the bus, the film flashes back to a younger Maeve visiting her then-boyfriend, Liam Doyle, John Keegan. Shortly after getting off the bus, there is another flashback to Maeve confronting her sister Roisin, Bríd Brennan. Later that day, loyalist marches are happening on their street. As the family watch the marches on TV, something is thrown at and smashes their window. The flashback ends with the family moving out of the dominantly unionist street.
While Maeve is riding home in a taxi, they are stopped by soldiers because of an active bomb threat. There, she’s reunited with her parents, who are already waiting outside.
Roisin is stopped by soldiers while coming home from work. They question her and bring her home. By the fireplace, she tells Maeve the story of a sleepover during a friend’s birthday where a soldier walked into the room and got into bed between them, stating that he’s dying to have sex with one of them. The soldier left after they screamed.
In a flashback, Maeve and Liam walk into a pub. Maeve expresses desire to leave because her uncles, Joe and Colm, are also there. Joe buys them drinks and invites them to their table. He tells the story of when he and Colm buried a box of gelignite under a flowerbed in Martin’s house, an operation which landed Mark Mulholland as Martin a year in the Crumlin Road Gaol. As they’re laughing, Maeve gets up and says, “You did that to your own brother and he never told on you.” When Joe suggests that her mother, Eileen, might have informed on them, she states that her mother Trudy Kelly kept the family together while he was in prison. She smashes the glasses on the table and runs out, with Liam running after her. She tells him that she has to get away from Belfast.
Roisin tells Maeve a story about a masked man attempting to hijack the taxi she and Eileen were in. Roisin and the driver got out, but Eileen leapt at the man and berated him. The man lunged back. Two other men intervened and told them to get back in the taxi and drive away.
In a flashback, Maeve waits in the van while a man opens the van door and asks whether they came from the Free State in an accusing manner. The memory shifts again to Maeve and Liam on a hill, where they argue about how the past should be remembered, with Maeve insisting that his view excludes her and erases her presence.
Back home, Maeve tells Roisin she’s worried about her in case she ends up “giving in.” Roisin responds begrudgingly, to which Maeve tells her, “Women’s sexuality is so abused that it’s almost an act of liberation to turn yourself into a sex object.”
They go out for the night, joining up with two of Roisin’s friends. They get into a taxi with a drunk man already in it. He harasses Maeve while Roisin’s friends egg him on. The film flashbacks to Liam giving Maeve a visit in London. The two are now broken up. He confronts her about moving to London and not knowing what she’s doing, and she replies saying she has a right to not know what she’s doing.
Maeve, Roisin and Eileen go into a pub. Liam is also there, but they don’t interact. The women leave, laughing. As they’re walking home, a gunshot rings out in the distance, followed by automatic fire. They run down the road and stop at a brick wall. More gunshots ring out, and they drop down and sit, laughing.
Maeve and Eileen are at home talking. Eileen recounts her perspective of the time she saw Maeve off at the airport. She gets worked up when she reminds Maeve that she never looked back to say goodbye. The film flashbacks to Maeve in class at a convent. Later, she’s in a hospital bed talking to Roisin, who leaves when three nuns show up, demanding that Maeve explain herself. The scene fades out here. A scene of Maeve crying in the hospital bed is shown, and a woman comforts and sings to her.
Maeve walks out of a bookstore and runs into Liam. They have an argument about the aims of the Irish republican movement. She laments that the movement doesn’t include women’s rights in it. He sees her protestations as a hindrance to the movement.
Maeve, Roisin and Eileen are at the Giant’s Causeway. A man squats beside Maeve and starts talking to her. She leaves, and the man continues soliloquying.
Martin retells an instance where he was being chased by police forces and a man was forcing him to drive at gunpoint. The newspapers had falsely stated his van was being used as a getaway car. The film ends with him saying, “First time they got me into Castlereagh, I thought I’d break. See, I used to think these things would never happen to me. Even when they did. Cos you see, that’s the only way to go on. Aye. All the time I’m afear’d it is going to happen.”
Last Updated: November 29, 2025 at 00:47
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Stories that piece together a fractured sense of self through traumatic memories.If you liked Maeve's use of fragmented memories to explore a fractured identity, you'll find similar films here. These dramas and psychological stories delve into personal trauma, family history, and political conflict, often using non-linear storytelling to mirror a character's internal struggle for self-understanding.
Narratives in this thread often unfold in a non-linear fashion, bouncing between the present and key memories from the past. The central conflict is internal, as the protagonist grapples with unresolved trauma that has shaped their identity. The journey involves piecing together these fragments, but the process is arduous and the conclusion is often bleak, offering acceptance rather than a clean resolution.
Movies are grouped here for their shared focus on the psychological impact of trauma and the use of memory as a narrative device. They share a heavy emotional weight, complex structure, and a tone that is reflective, melancholic, and tense, creating a deeply introspective viewing experience.
Intense personal stories trapped within larger, inescapable political conflicts.For viewers seeking movies like Maeve that explore the suffocating effect of political conflict on personal lives. These intense dramas are set against backdrops like the Troubles, civil wars, or oppressive regimes, focusing on how large-scale violence seeps into homes and relationships, leading to bleak outcomes.
The narrative pattern involves characters trying to live their lives while being constantly confined and threatened by a larger political struggle. Personal conflicts—often within families—are magnified by the external pressure. There is no escape; the political world is the only world. The stories typically build tension relentlessly and conclude with a sense of bleak acceptance or tragic loss, emphasizing the cyclical nature of such conflicts.
This thread groups films that share a high-intensity, tense vibe born from the collision of the personal and the political. They are united by a claustrophobic mood, an oppressive atmosphere, heavy emotional weight, and a focus on the psychological toll of living under constant threat.
Don't stop at just watching — explore Maeve in full detail. From the complete plot summary and scene-by-scene timeline to character breakdowns, thematic analysis, and a deep dive into the ending — every page helps you truly understand what Maeve is all about. Plus, discover what's next after the movie.
Track the full timeline of Maeve with every major event arranged chronologically. Perfect for decoding non-linear storytelling, flashbacks, or parallel narratives with a clear scene-by-scene breakdown.
Discover the characters, locations, and core themes that shape Maeve. Get insights into symbolic elements, setting significance, and deeper narrative meaning — ideal for thematic analysis and movie breakdowns.
Get a quick, spoiler-free overview of Maeve that covers the main plot points and key details without revealing any major twists or spoilers. Perfect for those who want to know what to expect before diving in.
Visit What's After the Movie to explore more about Maeve: box office results, cast and crew info, production details, post-credit scenes, and external links — all in one place for movie fans and researchers.
Discover movies like Maeve that share similar genres, themes, and storytelling elements. Whether you’re drawn to the atmosphere, character arcs, or plot structure, these curated recommendations will help you explore more films you’ll love.
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