Long Weekend

In a modest suburban neighborhood, Bart is trying to piece his life back together after a string of setbacks. A failed novel, a broken engagement, and a dead‑end gig writing product descriptions for a medical‑supply company have left him nursing both financial strain and lingering melancholy. To make ends meet, he moves into the garage of his longtime friend Doug, whose family life offers a quiet, if cramped, sanctuary amid the chaos of Bart’s thoughts.

One restless night in a nearly empty cinema, Bart is jolted awake by a striking stranger named Vienna. Their conversation begins as a casual exchange of tired humor, quickly deepening into a charged connection that feels both unexpected and inevitable. The pair spend the weekend exploring the city’s dimly lit bars, quiet diners, and open desert roads, letting the intensity of their attraction guide them toward a fragile intimacy that hints at something more lasting than a fleeting fling.

As the days pass, Vienna remains an enigma. She carries large sums of cash, lacks a phone, and offers only vague fragments about her work—suggesting ties to a shadowy government branch and a personal mission that feels larger than either of them. Meanwhile, Doug watches his friend with a mixture of concern and empathy, remembering his own past struggles and offering quiet counsel. The contrast between Bart’s grounded desperation and Vienna’s cryptic urgency creates a tension that underscores every shared smile and lingering glance.

The film drifts between melancholy and hope, painting a portrait of two damaged souls drawn together by circumstance and yearning. Their weekend becomes a crucible for confronting buried regrets, unspoken fears, and the possibility that love might offer a second chance—even when the future remains as uncertain as the secrets they keep.

Last Updated: January 08, 2026 at 11:31