Lijmen/Het been

In the bustling streets of pre‑war Belgium, a restless energy crackles through cafés, auction houses and modest family businesses. The world of the film is painted in muted sepia tones, where sharp suits and polished shoes mask a subtle, ever‑present hunger for profit. Against this backdrop, the story follows a pair of charismatic hustlers who have turned the art of persuasion into a full‑time vocation. Their latest venture promises companies a glossy, comparative journal that supposedly reaches readers worldwide, though its true reach is far more ambiguous.

At the center of the scheme is the seasoned, unapologetically confident Boorman, a man whose swagger and quick wit draw both admiration and suspicion. He has crafted an elaborate narrative around a nonexistent publication, positioning himself as a master of opportunity. By his side is the younger, eager Laarmans, whose ambition is matched only by his naivety. The dynamic between the two creates a tension that swings between mentorship and manipulation, as the older con‑artist pulls his protégé deeper into a world where truth is a negotiable commodity. Their interactions are laced with dark humor, sly banter and a lingering sense that each new pitch could be both a triumph and a misstep.

The film’s tone balances melancholy with a biting, almost theatrical satire of commerce and morality. As Boorman and Laarmans weave through meetings with eccentric entrepreneurs—ranging from elevator owners to funeral service providers—the audience is invited to taste the intoxicating allure of grand promises while sensing the fragile scaffolding beneath. The atmosphere is one of quiet intrigue, where the surface gleam of polished magazines hints at deeper, unspoken questions about ambition, loyalty and the cost of believing in a lie.

Last Updated: October 27, 2025 at 16:28