Year: 1960
Runtime: 180 mins
Language: Tamil
Director: A. Bhimsingh
It is an Indian Tamil romantic drama produced by A. V. Meiyappan and directed by A. Bhimsingh. The film stars Gemini Ganesan and Savitri, and introduces Kamal Haasan as a child artist. R. Sudharsanam composed the acclaimed soundtrack. The plot follows a young couple torn apart by misfortune, leaving their innocent son to be raised in an orphanage.
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Rajalingam is the only son of Ramalingam, the zamindar of Kalathur. Kannamma is the daughter of Murugan, a farmer from the same area. On the zamindar’s advice, Murugan sends his daughter to Madras for higher education. While returning from Madras, Kannamma meets Raja on a train. Noticing her respect and awe for the zamindar, Raja pretends to be an electrician visiting the palace. They fall in love, and a few days later Kannamma learns the truth. To reassure her, Raja marries her secretly in a temple.
Two days later, Raja has to go abroad for higher studies. During his absence, Ramalingam learns of the marriage and orders Kannamma to forget his son. Moved by the zamindar’s feelings, Kannamma promises never to mention their marriage to anyone. Ramalingam then arranges Murugan and the now-pregnant Kannamma to stay in a nearby town, Sevalpatti. Murugan, ashamed of Kannamma’s secret marriage, leaves Kannamma’s newborn son in an orphanage and lies that the child was stillborn. They both decide to leave the place and drift toward Bangalore.
When Raja returns, he learns Kannamma had left Kalathur. His inquiries in Sevalpatti lead him to believe that Kannamma led an immoral life. Grief-stricken, he travels from place to place to forget Kannamma and turns to drinking as a last resort. In Bangalore, he encounters Kannamma in a dancer’s house where she had come to teach the dancer’s daughter. Her presence in the house and her reticence to Raja’s questions deepen his belief that Kannamma is a woman of ill repute, and in disgust, he returns home.
Kannamma’s son Selvam grows up into an intelligent boy and lives in the orphanage in Sevalpatti. Murugan visits the orphanage and, upon meeting Selvam, decides to move to Sevalpatti to be near him. Kannamma becomes a teacher in Selvam’s school and feels drawn to him. She invites him to stay with her, but he declines as he must look after Mani, a lame orphan living with him. Raja is invited to Sevalpatti by Singaram, a rich merchant who wants his daughter Maduram to marry him, to preside over a school function. Raja becomes fascinated with Selvam, who acts in the school play. After the performance, he encounters Kannamma again and orders the headmistress to dismiss her.
Mani is critically ill, and Selvam turns to Raja for help. Raja brings a doctor who cannot save Mani. Raja then takes Selvam with him to the palace. At Selvam’s insistence, he stops drinking and, in order to give him a mother, decides to marry Maduram. A seriously ill Murugan confesses to Kannamma that her child is not dead and reveals Selvam’s true identity. Kannamma tries to reach Selvam but cannot find him in the orphanage. The news shocks Murugan, and to soothe his nerves, they move back to Kalathur. In the local temple, Kannamma meets Selvam and tells him that she is his mother. On learning from him that Raja is bringing him up and plans to marry him off, she asks him not to reveal anything about her to Raja.
Maduram learns from Selvam that he is Raja’s son, and Singaram insists on a written undertaking that Raja’s properties would go only to Maduram’s children. The news of this conflict spreads through the village. Hearing this, Murugan hurries to the palace to reveal the true identity of Selvam, but collapses near the gate. Kannamma follows and, as she tries to move away with Selvam, is intercepted by Raja, who demands the boy back. Raja refuses to believe that Selvam is Kannamma’s son and insults Kannamma for her supposed shameless life. Ramalingam sees that, even in humiliation, Kannamma remains silent about her promise to him. He is deeply moved and acknowledges her as his daughter-in-law. In the end, Selvam is reunited with his parents, and Raja’s marriage to Maduram is cancelled, setting the stage for a new, hopeful future.
Last Updated: October 05, 2025 at 12:42
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Love stories tested by time and tragedy, leading to a final, heartwarming reunion.If you enjoyed the emotional journey of Kalathur Kannamma, this list features similar romantic dramas. These movies share a narrative of love being torn apart by social pressures or misfortune, leading to years of heartache before culminating in a heartfelt and redemptive conclusion.
Stories in this thread typically begin with a deep, genuine romance that is abruptly severed by external forces—family disapproval, societal stigma, or tragic misunderstandings. The plot then follows a long period of suffering and longing as the characters navigate life apart, often with a hidden child or secret binding them. The narrative arc is defined by a slow, painful build-up to a final, emotionally cathartic reunion.
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Characters burdened by hidden pasts and societal judgment, seeking redemption.Viewers who liked the themes of secret marriage and social stigma in Kalathur Kannamma will find more compelling stories here. These movies explore the dramatic fallout of hidden relationships and unwed pregnancies, often involving orphans, family rejection, and a characters' difficult path toward societal acceptance and personal peace.
The narrative pattern involves a socially forbidden act (like a secret love affair) that creates a domino effect of misfortune, typically involving the suffering of an innocent child. The story methodically explores the impact of shame and secrecy on multiple characters across time. The conflict is not driven by villains but by the oppressive weight of societal expectations, with the plot moving toward a resolution that involves the truth coming to light and a form of reconciliation.
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