I, Tonya

In a gritty, off‑beat portrait of 1970s America, the world of competitive figure skating is rendered both glittering and brutal. The film swims through cheap‑cooked diners, cramped ice rinks and the relentless glare of judges who seem more interested in image than skill, all filtered through a darkly comic lens that makes tragedy feel oddly funny. Beneath the polished veneer of jumps and spins lies a culture where class, appearance and raw ambition clash in every practice session, setting the stage for a story about a woman who refuses to be invisible.

At the heart of it all is Tonya Harding, a fierce‑minded kid from a rough‑and‑tumble Portland neighborhood who discovers an uncanny talent for skating almost by accident. Her mother, LaVona Golden, is a relentless, demanding force who pushes her daughter toward the ice with a mixture of hard love and outright cruelty, insisting that every moment of the young girl’s life be spent chasing the next trophy. The relentless pressure of this dysfunctional home makes the rink both a sanctuary and a battlefield, where Tonya learns quickly that the only way to survive is to out‑perform everyone else, no matter the cost.

Guided—sometimes reluctantly—by her coach Diane Rawlinson, Tonya finds a mentor who sees past the “white‑trash” labels that the sport’s elite love to toss around. In parallel, she meets Jeff Gillooly, a charismatic yet volatile presence who offers the promise of a different kind of escape, drawing her into a tumultuous partnership that blurs the line between support and sabotage. Their relationship, marked by passionate highs and unsettling lows, mirrors the unforgiving rhythm of the ice itself, where a single misstep can send everything crashing down.

As Tonya rises through the ranks, the film balances razor‑sharp humor with a palpable undercurrent of dread, hinting at the storm that will soon erupt around her name. The story never stops being about a woman fighting to define herself beyond the expectations of a bruised family, a judgmental sport, and a society eager to write her off—leaving the audience perched on the edge of a world where triumph and tragedy are inseparable.

Last Updated: August 10, 2025 at 02:53