How to Build a Girl

In the gritty, hopeful world of 1990s Wolverhampton, a teenage girl wrestles with the weight of a cramped family home, an aspiring‑rock‑star dad, and a mother trying to keep the lights on. Johanna Morrigan spends her days surrounded by posters of literary and historic icons, dreaming of an escape that feels as dramatic as the heroines on those pages. The film captures the hum of a working‑class town, the clatter of an over‑full house, and the restless yearning that turns everyday moments into quiet acts of rebellion.

When the chance to reinvent herself arrives, Johanna adopts the bold moniker Dolly Wilde and sets her sights on the bustling streets of London, where the pulse of rock music beats through record shops and underground gigs. The city is portrayed with a mix of neon‑lit energy and a slightly disorienting charm, offering both a stage for ambition and a mirror for the insecurities she tries to conceal. Her entry into the world of music journalism feels like stepping onto a new kind of stage—one where words are as sharp as guitars and every review can reshape a career.

Family dynamics pulse beneath the surface of her transformation. Pat, the well‑meaning but often misguided father, fuels both comic relief and heartfelt moments, while Angie, the weary mother, embodies the fragile balance between support and expectation. Krissi, her older brother, becomes an unlikely conduit to the city’s music scene, highlighting the complex web of loyalty and rivalry that defines sibling bonds. Together, they create a backdrop of love‑tinged chaos that grounds Johanna’s soaring aspirations.

At its core, the story is a vibrant coming‑of‑age tale that blends humor, raw emotion, and the fierce intensity of early‑90s music culture. It asks what it means to carve out an identity when the world seems eager to label you, and whether the biggest rebellion is simply daring to be unapologetically yourself. The tone remains witty and earnest, inviting viewers to root for a girl whose greatest adventure is learning to own the narrative she writes for herself.

Last Updated: August 10, 2025 at 01:40