High Lane

In the rugged peaks of Croatia, a tight‑knit group of five friends sets out for a climbing holiday that promises both adrenaline and escape. Ignoring the clear warnings that the mountain trails are closed, they venture deeper into a landscape where sheer cliffs and mist‑shrouded valleys dominate the horizon. The remote wilderness feels both breathtakingly beautiful and unsettlingly off‑limits, establishing a mood where the line between adventure and recklessness is constantly blurred.

At the heart of the expedition is Fred, an experienced climber whose confidence drives the team forward, often at the edge of prudence. Beside him, his girlfriend Karine balances affection with practicality, acting as a steadying influence while also confronting the group’s collective daring. Chloé brings a calm, composed presence that helps keep tensions from boiling over, yet she quietly observes the shifting dynamics among her companions. Guillaume carries an understated intensity, his unspoken concerns hinting at deeper undercurrents, while Loïc, the most hesitant of the group, wrestles with fear and a simmering jealousy that threatens to undermine his resolve.

The film unfolds with a slow‑burning, atmospheric tension, letting the stark beauty of the mountains amplify an ever‑growing sense of foreboding. The isolation of the terrain turns every decision into a test of trust, and the group’s camaraderie is constantly weighed against the invisible dangers lurking beyond sight. As day turns to night and the wilderness grows harsher, the characters are forced to confront not only the physical challenges of the climb but also the fragile bonds that hold them together, leaving the audience perched on the edge of anticipation, aware that the true terror may be as much internal as it is external.

Last Updated: October 11, 2025 at 19:39