Happiness

In a quietly unsettling world where loneliness is a common currency, several strangers drift toward one another, each chasing an elusive sense of belonging. Their lives intersect in a modest town that feels both ordinary and oddly off‑kilter, providing a backdrop for moments that sway between tender comedy and quiet heartbreak. The film’s tone is a careful blend of dry humor and solemn introspection, ever‑presenting the idea that the line between love and eccentricity is thinner than it appears.

Joy is the youngest of three sisters, freshly freed from a relationship that has left her questioning her own worth. Seeking purpose, she steps into a job that puts her at the edge of a community she barely understands, where her attempts to help are met with both resistance and unexpected kindness. Her journey introduces a subtle tension between personal growth and the sometimes harsh reality of trying to fit into a world that feels alien.

Trish, the middle sister, projects the image of a contented housewife while navigating the expectations placed upon her by family and society. Her marriage to Bill, a therapist whose professional facade masks unsettling undercurrents, adds a layer of quiet unease to domestic life. Their son, caught between parental expectations and his own emerging identity, rounds out a household where appearances often conceal deeper currents.

Helen, the eldest, writes novels that flirt with the sensational yet craves an authentic grasp of the darker facets of human experience. Across the hallway lives Allen, a neighbor whose peculiar habits hint at a longing for connection in the most unconventional ways, and Kristina, a tenant whose guarded past whispers of trauma and resilience. Together, these characters form an intricate tapestry of desire, miscommunication, and fragile hope, inviting the audience to contemplate how strangers might become the anchors people need in an otherwise solitary world.

Last Updated: August 10, 2025 at 13:00