Hans Christian Andersen

A gifted cobbler who becomes a prolific storyteller, Hans uses imagination to connect with children and to seek meaning beyond his workshop. He experiences both adoration and conflict as his tales collide with authority, love, and artistic ambition. His journey from Odense to Copenhagen marks a transformation from craftsman to celebrated storyteller.

Hans’s teenage assistant and loyal friend, an orphan who pushes Hans to pursue opportunities beyond Odense. He helps navigate dangers in Copenhagen and remains a steady source of support throughout Hans’s changing fortunes. Peter’s practicality complements Hans’s flights of fancy.

A leading ballerina and the object of Hans’s affection, married to the choreographer Niels. She embodies artistic passion and theatrical frailty, inspiring Hans even as he misreads their relationship. Her presence anchors the film’s exploration of love, art, and the tension between personal desire and professional duty.

The stern town leader who embodies order and authority. He and the schoolmaster push Hans to leave Odense, reflecting the social control over storytelling at the time. His decisions catalyze Hans’s journey toward larger stages and broader recognition.

The strict educator who views Hans’s storytelling as a distraction from schooling. He pressures the Burgomaster to take action against the cobbler, highlighting the conflict between imagination and institutional discipline. His stance precipitates Hans’s exile but also seeds the drive to prove himself.

A minor yet pivotal theatre figure who interacts with Hans’s world as the troupe moves through Copenhagen. He plays a part in delivering messages and enabling Hans’s access to performances, illustrating how theatre personnel facilitate storytelling.

A dancer featured in the ballet scenes, representing the physical embodiment of the production world that intersects with Hans’s writing. His performances contribute to the film’s celebration of movement and spectacle in storytelling.

A ballet role within the film’s theatrical world, symbolizing how Hans’s tales translate into stage myths. The character embodies the convergence of storytelling and dance that drives the narrative forward.