Guerrilla

In the turmoil of 1971, Bangladesh’s streets pulse with a restless mixture of fear and hope, the air thick with whispered resistance and the weight of an uncertain future. The city of Dhaka transforms into a labyrinth of covert meetings and hidden messages, where everyday life is overlaid with the urgency of a people on the brink of redefining themselves. The film’s palette, muted yet evocative, captures both the oppressive shadows of occupation and the stubborn glow of defiance that refuses to be dimmed.

At the heart of this volatile world stands Bilkis Banu, a young banking professional whose ordinary life is shattered when her husband, Hasan, disappears on a night that marks the beginning of the conflict. Rather than surrender to grief, she channels her resolve into the emerging guerrilla network that threads through the capital. There she encounters Altaf Mahmud, a celebrated musician whose songs become anthems of resistance, Shahadat, a determined fighter, and Mrs. Khan, a steadfast comrade. Together they weave a fragile tapestry of solidarity—publishing underground bulletins, sharing covert routes, and nurturing a collective belief that even the smallest act can tip the scales of history.

Yet the very network that sustains them is shadowed by informants and the ever‑present threat of the Razakars, whose presence turns everyday movements into dangerous gambles. As the pressure mounts, Bilkis finds herself forced to flee, racing toward her distant village with the weight of unfinished business and unanswered questions pressing on her shoulders. The film’s tone remains one of gritty perseverance, a portrait of ordinary courage amid extraordinary turmoil, inviting the audience to feel the relentless pulse of a nation fighting for its voice.

Last Updated: November 25, 2025 at 14:54