Griffin and Phoenix

Geoffrey, his estranged wife Jean, and their children Randy and Bob head into Yosemite for a camping trip. Geoffrey pushes for family togetherness while the others are bored and uninterested, setting a tense tone for the excursion. The trip is framed by Geoffrey’s hidden concerns about his health and the impulse to create memories together.

While they are on the road, Geoffrey has a flashback to a doctor's visit where he is told he has an inoperable terminal melanoma. He learns he will die soon, and this grim news serves as the blunt motivator behind his bid to seize meaningful time with his family. The memory foreshadows the emotional stakes of the story.

In a burst of frustration, Geoffrey detaches his car from the camper and drives away, effectively abandoning his wife and children on the highway. He is overwhelmed by their apathy and petty demands, choosing to withdraw rather than confront the tension. This act sets the split in the family dynamics in motion.

Sarah Phoenix receives news that she has leukemia and initially goes into denial. After an angry outburst, she seeks a second medical opinion that confirms the terminal diagnosis. Her confrontation with mortality drives her openness to unexpected connections.

Geoffrey drives to Los Angeles where his brother George updates him on the ex-wife and kids and gives him $1,500 to spend at his leisure. The visit exposes Geoffrey to a more candid, supportive family perspective and marks a turn in his self-education about dying. The money offers him a sense of temporary freedom.

Geoffrey attends a course titled Psychological Processes of Death and Dying, seeking understanding and meaning as his life nears an end. Sarah also enrolls in the class, and this shared environment becomes the setting for their first meaningful connection. Their presence in the same class anchors the evolving relationship.

After class, Geoffrey asks Sarah to meet for dinner the following Wednesday, but she remains guarded and does not commit. Instead, she spies on him from a neighboring restaurant, and he notices her, inviting her over. This catalyzes their initial, thorny proximity and mutual intrigue.

Geoffrey and Sarah fall in love and begin living life to the fullest, engaging in outrageous, playful acts. They sneak into a movie theater, freighthop trains, ride roller coasters, and paint messages on a water tower—signs of a carefree existence in the shadow of illness.

Sarah discovers books on cancer, death, and dying in Geoffrey's apartment, leading to an angry confrontation. In the process, they both learn that the other is also terminally ill, shifting their relationship from escape to shared fate. The revelation deepens their bond but also intensifies the emotional stakes.

Despite their diagnoses, Griffin and Phoenix decide to embrace the time they have together, trying to live fully and support one another. They navigate love, risk, and the looming certainty of loss while not letting illness eclipse their connection. The relationship becomes a sanctuary against the constraints of their conditions.

Sarah writes a note explaining that the pain is unbearable and telling Geoffrey to spend time with his family and not to search for her. Geoffrey, grieved and determined, resolves to honor her request and continue living while reckoning with foregone possibilities. The note marks a turning point toward acceptance and distance.

Geoffrey hunts through more than a dozen hospitals to locate Sarah and sits by her bedside as they share a quiet, intimate moment. She asks him to leave, unable to bear the emotional distress of his presence, preserving her dignity in the face of death. The scene captures the heart-wrenching limits of their connection.

Sarah dies, leaving Geoffrey devastated and overwhelmed by grief. He struggles to cope with the loss, ultimately retreating from the hospital and confronting the void her absence creates. The death marks the terminal act of their shared story.

Geoffrey visits the cemetery and discovers Sarah's gravestone bearing a postscript that reads: 'P.S. – Hi Griffin Thought you'd probably drop by.' The note serves as a haunting final reminder of their connection. It underscores the persistence of memory beyond death.

Geoffrey leaves the cemetery in despair and erupts in anger, smashing his own car and several others. A maintenance man begins painting over the water tower messages, signaling the end of Griffin and Phoenix’s public declarations and the film’s final, ambiguous closure.