Good One

In the mist‑kissed Catskill Mountains, a weekend getaway turns into a quiet crucible for a small, unconventional family. Sam, a thoughtful teenage girl on the cusp of adulthood, finds herself sandwiched between her charismatic yet self‑absorbed father, Chris, and his longtime, recently divorced friend, Matt. The trio’s itinerary—lodging in a modest hotel, sharing cramped sleeping arrangements, and venturing onto forest trails—offers a backdrop where every laugh, jab, and lingering glance feels amplified by the surrounding wilderness.

The film settles into a tone that balances gentle humor with an undercurrent of unease. Chris carries the weight of new parenthood and a freshly minted marriage, while Matt navigates the awkward freedoms of single life, each projecting a mix of bravado and vulnerability. Their banter, laced with teasing about past choices and future plans, serves as both comic relief and a subtle barometer of deeper, unspoken tensions. Sam, meanwhile, juggles the responsibilities of an older sibling and confidante, all while staying connected to a world beyond the mountains through quiet messages to her girlfriend. Her presence becomes a steady, if sometimes fraught, anchor amid the shifting dynamics.

As the woods close in, the atmosphere shifts from playful to contemplative, inviting each character to confront the fragile threads that bind them. The scenery—towering pines, crisp air, and star‑strewn nights—mirrors the internal landscapes they each traverse, hinting at questions of identity, loyalty, and the inevitable push‑pull between generations. In this intimate, introspective escape, the audience is left to wonder how the simple act of sharing a trail can illuminate the complexities of love, responsibility, and the search for one’s own voice.

Last Updated: October 05, 2025 at 16:49