Going for Broke

In the neon‑lit streets of Reno, Nevada, Laura Bancroft drifts from her role as a charity director into the magnetic pull of a bustling casino. A casual drop of coins into a video‑poker machine sets the tone for a story that balances the glitter of chance against the quiet desperation of everyday life. The city’s constant hum of clinking coins and flashing lights becomes a backdrop for a portrait that feels both intimate and relentless, hinting at how a single moment can unravel a carefully built existence.

At home, Jim Bancroft watches the shift with growing unease as Laura’s enthusiasm for the game creeps into family rituals. Their children, Jennifer and Tommy, each navigate their own adolescence under the shadow of a mother whose curiosity about luck begins to eclipse ordinary responsibilities. The couple’s conversations, once light‑hearted, take on a sharper edge, and the household’s routine subtly fractures, suggesting that the gamble extends far beyond the casino floor.

Within the charity’s polished corridors, Laura finds both support and scrutiny. Brad Bradford, a generous benefactor, admires her drive, while Martine offers a steady, professional counterpoint. Their interactions underscore a world where personal ambition and public expectation collide, and where the line between philanthropy and personal need becomes increasingly blurred. A seasoned gambler known as Bella drops occasional pearls of hard‑won wisdom, reminding Laura—and the audience—that the stakes in Reno are never merely monetary.

The film’s tone is unflinching and compassionate, weaving true‑event gravity with a compelling, almost lyrical style. It invites viewers to feel the tension of each coin dropped, the silent pull of the reels, and the mounting pressure that tests the limits of love, duty, and self‑control—all without revealing the inevitable crossroads that lie ahead.

Last Updated: October 23, 2025 at 16:15