Fly me to the Saitama

In a sharply divided Japan where the glitter of Tokyo masks a subtle, lingering bias, the story opens on a world where the simple fact of being from Saitama can dictate how one is treated. The city’s elite schools pulse with ambition, yet an undercurrent of prejudice runs through the corridors, creating an invisible wall between the capital and its neighboring prefecture. This social tension is felt in everyday conversations, whispered radio broadcasts, and the careful concealment of origins, setting a tone that blends quiet melancholy with a wry, almost satirical edge.

​Momomi Hakuhodo, the governor’s child, navigates this high‑stakes environment with a unique complication: outwardly presenting as female while wrestling with the expectations of a powerful political lineage. Enrolled at the prestigious Hakuhodo High, he must balance the pressure of privilege, the scrutiny of peers, and the unease of living a double life that feels both protective and constraining. The school itself feels like a micro‑cosm of the larger societal divide, its polished façade hinting at deeper currents of insecurity and aspiration.

The arrival of ​Rei Asami, a striking transfer student with an enigmatic past, tilts the delicate equilibrium. Fresh from abroad and carrying an air of quiet confidence, Rei becomes an unexpected bridge between the two worlds, his very presence challenging the unspoken rules that keep Saitama’s identity hidden. A magnetic pull draws the two together, sparking a connection that teeters between curiosity and careful self‑preservation.

Against a backdrop of glossy cityscapes, cramped dormitories, and hushed radio dramas that romanticize Saitama’s struggle, the film weaves humor and tenderness into its exploration of identity, belonging, and the subtle forms of discrimination that linger beneath the surface. The tone remains both contemplative and gently satirical, inviting the audience to wonder how far one can go when the quest for acceptance collides with the desire to remain unseen.

Last Updated: September 20, 2025 at 16:45