Fabian: Going to the Dogs

In the restless heart of 1931 Berlin, a city pulsing with jazz, neon lights, and an undercurrent of economic anxiety, the streets shimmer with both the promise of modernity and the shadows of an unsettled future. The bustling nightclubs and crowded cafés become stages where the era’s contradictions—glamour and poverty, optimism and dread—play out in equal measure, setting a tone that is simultaneously intoxicating and foreboding.

Jakob Fabian drifts through this world as a cynical copywriter for a cigarette company, his sharp wit masking a lingering melancholy from the trenches of the Great War. He dreams of shedding his mundane job for a life of literary creation, yet finds himself caught in a loop of fleeting pleasures and existential doubt. Beside him, Stephan Labude—an ambitious scholar with a restless intellect—chases academic recognition, their friendship a blend of reckless revelry and shared, unspoken wounds. Their evenings are spent navigating Berlin’s vibrant underground, where laughter often hides deeper insecurity.

Enter Cornelia, a bright-eyed aspiring actress whose presence illuminates Fabian’s bleak outlook. Her youthful ambition and yearning for artistic authenticity stir something hopeful within him, offering a glimpse of a possible future untainted by cynicism. Their connection, however, is set against a backdrop of rising unemployment, social unrest, and the ominous rise of political forces that threaten to upend the very fabric of everyday life.

As the city’s heartbeat quickens with both cultural exuberance and looming instability, these three young souls find themselves balancing personal aspirations against the tide of historical change. The film captures the delicate dance between love, ambition, and the inexorable march of history, inviting viewers to feel the weight of a world poised on the brink while holding onto the fragile spark of individual hope.

Last Updated: August 10, 2025 at 00:21