Dicen que soy mujeriego

Charismatic but wayward, Pedro pursues romance and flirts with multiple women, often flouting social norms. His charm fuels the comedy and romance, yet the Tucita crisis tests his true capacity for commitment and responsibility.

Matriarch of the ranch, she rules with sharp wit and tough love, defending her family with fierce loyalty. Her confrontations with Pedro and her protective stance toward Tucita drive much of the film’s emotional core.

Flor is a central love interest whose pride and hurt influence crucial choices, including breaking off engagement with Pedro and ultimately deciding whether to embrace him again.

A fiery singer who becomes entwined with Pedro and Pablo, representing temptation and danger in love’s arena. Her actions highlight manipulation and the town’s allure.

The town mayor and schemer who uses power to influence outcomes, including orchestrating Tucita’s supposed motherhood. His charm masks a ruthless willingness to manipulate.

Pedro’s roly-poly sidekick whose mischief and schemes propel the plot, providing both humor and obstacles in the pursuit of Pedro’s desires.

A perceptive and impressionable child who believes Pedro may be her father, triggering a cascade of revelations and emotional stakes for the adults around her.

The village priest participates in weddings and town events, offering guidance while navigating the town’s chaotic romance and deception.

The village doctor who declares there is nothing more to be done in dire moments, underscoring the limits of expertise in rural life and heightening the drama.