Déficit

In the sun‑drenched hills of Tepoztlán, a sprawling estate belongs to a family whose power is woven through politics and privilege. The house hums with the quiet confidence of wealth, yet beyond its manicured gardens lie the murmurs of a world that feels far removed from the glittering interiors. The setting itself becomes a character, its opulent rooms and open courtyards framing a weekend that promises both celebration and a subtle, lingering unease.

Cristóbal, the charismatic heir of a corrupt politician, finds himself at the center of this weekend’s gathering. Surrounded by affluent friends, he is expected to embody the effortless confidence of his lineage while wrestling with the weight of parental expectations and his own unspoken doubts. His sister, Elisa, drifts into the scene with a countercultural flair, gathering an eclectic circle of artists and wanderers that clash against the polished backdrop, hinting at a family dynamic as fragmented as it is intertwined.

The estate’s staff introduces another perspective. Adán, the seasoned gardener who has watched the property evolve, moves through the party’s periphery with a steady, wary composure, embodying humility that starkly contrasts the guests’ extravagance. Among the visitors, Dolores, a guest whose background reflects a more modest upbringing, brings an undercurrent of tension that subtly highlights the divide between wealth and modesty. Mafer, Cristóbal’s steady girlfriend, remains a quiet presence, reminding the audience of the personal ties that anchor him amid the chaos.

Through lush cinematography and a soundtrack that swells between carefree beats and quiet introspection, the film paints a portrait of a privileged world teetering on the edge of its own excess. The mood balances the intoxicating allure of a lavish party with an undercurrent of social disparity, inviting viewers to wonder how the fragile veneer of comfort will hold when the unspoken fractures begin to surface.

Last Updated: October 11, 2025 at 19:45